Tag: future of ai

  • My picks for the streamer’s most top-tier films

    My picks for the streamer’s most top-tier films


    Apple TV+ might not have the sheer volume of movies that some other streamers offer — but when it comes to quality, Apple is certainly punching way above its weight. Since its launch in 2019, Apple’s film slate has delivered everything from star-studded blockbusters to quiet, emotional gems — many of them award-winning. Whether you’re in the mood for a gripping thriller, a heartwarming drama, or a mind-bending sci-fi epic, Apple TV+ has something for pretty much everyone.

    If you’re looking for the best original movies the platform has to offer right now, I’ve rounded up my top picks below — each one worth hitting play on immediately.

    9 can’t-miss Apple TV+ movies available right now

    For anyone out there who might be a new subscriber to the service, here are some suggestions for what to watch. Specifically, these are some of the best movies available on Apple TV+ that, for a variety of reasons, I’d classify as “can’t-miss.”

    Flora and Son

    Flora and Son on Apple TV+
    Eve Hewson in “Flora and Son” on Apple TV+. Image source: Apple

    We’ll start with this music-filled delight from writer-director John Carney.

    In Flora and Son, Eve Hewson plays a single mom who’s struggling with how to handle her rebellious teenage son. The police encourage him to pick up a hobby, so Flora takes that ball and runs with it — bestowing upon him a beat-up acoustic guitar. Mother and son, over time, eventually learn to bond over the power of music. Raves the Rotten Tomatoes critics’ consensus: “Another music-fueled crowd-pleaser from writer-director John Carney, Flora and Son proves almost impossible to resist.”

    The Pigeon Tunnel

    Author John le Carre
    British best-selling author John le Carre, photographed during an interview with Deutsche Presse-Agentur at a hotel in Hamburg, Germany, 16 October 2017. Image source: Christian Charisius/dpa (Photo by Christian Charisius/picture alliance via Getty Images

    Another of the most recent Apple TV+ movie releases is this documentary from director Errol Morris, featuring the last-ever interview with the father of the modern spy novel himself — John le Carre, aka David Cornwell. I’m going to quote myself here, from my review of Morris’ The Pigeon Tunnel: “In the documentary, le Carre comes across as an avatar of the Cold War-era spy caught in a cycle of delusion and futility, an impression that stands in contrast to the Hollywood glamor of 007.

    “Betrayal is a recurring theme in his novels, as is reinvention — and le Carre, the alter ego of a son whose mother abandoned him at five and whose charlatan father was a ‘confidence trickster’ he never respected, spent a lifetime in the thrall of both ideals. A first-rate fabulist who equates history with chaos, his cat-and-mouse stories about spy games probe deeper truths about a profession that le Carre believed to be devoid of answers in ‘the inmost room.’”

    CODA

    CODA on Apple TV+
    Emilia Jones in the Apple TV+ movie “Coda.” Image source: Apple

    Apple’s 2021 movie CODA, starring Emilia Jones as the only member of an all-deaf family who also has a talent for singing, was the first film from a major streamer to win a Best Picture Oscar (much to the chagrin of Netflix, which has been trying to win the award for years). So, I kind of have to include CODA on this list of must-watch Apple TV+ movies, right?

    This one is a no-brainer if you’re looking for feel-good and family-friendly content. The title, by the way, has multiple levels of meaning, being both a reference to the “coda” section of a piece of music as well as an acronym that stands for Child of Deaf Adults. Jones plays 17-year-old Ruby — who, instead of continuing to help her father work on his fishing boat, dreams of going to a prestigious music school and honing her talent for singing. This movie will have you laughing, crying, and cheering by the time it’s all over.

    Tetris

    Tetris on Apple TV+
    Taron Egerton and Nikita Efremov in “Tetris” on Apple TV+. Image source: Apple

    Somehow, the Tetris movie Apple released in 2023 functioned as much as a drama filled with Cold War intrigue as it did the story of how the video game Tetris was created.

    Taron Egerton stars here as Henk Rogers, the entrepreneur who negotiated a dispute over the rights for the game (which was created by a Soviet software engineer). Nintendo eventually licensed the game in order to package it with the Game Boy handset, but the rights to it were so complex that at one time about a dozen different companies believed they owned them. No wonder there was a movie’s worth of drama to be found in the story of this simple game.

    Causeway

    Causeway on Apple TV+
    Jennifer Lawrence and Brian Tyree Henry in “Causeway.” Image source: Apple

    Director Lila Neugebauer’s Causeway, which stars Jennifer Lawrence in the kind of atmospheric drama that she used to make before she got really big, offers a narrative about two lonely people who come to take solace in each other.

    Lawrence plays a soldier back home in New Orleans who’s grappling with PTSD after an IED explosion in Afghanistan. “It’s a painful and slow recovery,” Apple says about the film, “as (Lynsey) relearns to walk and retrains her memory, aided by a chatty but tender caretaker (Jayne Houdyshell). But when she returns home to New Orleans she has to face memories even more aching and formative than those she had in service — a reckoning with her childhood.”

    Lawrence’s character stays with her mother (Linda Emond), with whom she has a tense relationship. Meanwhile, she’s desperate to get back to work as an engineer. Her doctor (Stephen McKinley Henderson) isn’t sure she’s ready, so she takes a job cleaning pools. “When her truck breaks down,” Apple continues, “she meets James Aucoin (Brian Tyree Henry), who works at the auto repair shop and offers her a ride home. Slowly, they start to rely on each other for company and solace. James, it turns out, is also suppressing his own past trauma.”

    Cha Cha Real Smooth

    Cha Cha Real Smooth on Apple TV+
    Vanessa Burghardt and Dakota Johnson in the Apple TV+ movie “Cha Cha Real Smooth.” Image source: Apple

    Where do I even begin with this Sundance favorite from director (and star) Cooper Raiff?

    For starters, this Apple TV+ gem boasts one of those soundtracks that will send you hunting down more than one song to add to your playlists. As “Domino,” Dakota Johnson gives one of the most effervescent performances of her career. And then there’s Raiff, the earnest, love-struck star of this breezy, charming film.

    “Fresh out of college and without a clear life path going forward,” Apple’s summary explains, “22-year-old Andrew is stuck back at home with his family in New Jersey. But if there’s one thing that belongs on his nonexistent résumé, it’s how to get a party started, which lands him the perfect job of motivational dancing at the bar and bat mitzvahs for his younger brother’s classmates. When Andrew befriends a local mom, Domino, and her daughter, Lola, he finally discovers a future he wants — even if it might not be his own.”

    Finch

    Finch on Apple TV+Image source: Apple

    These next two Apple TV+ movies both star Tom Hanks, in vastly different roles. In 2021’s Finch, he plays a robotics engineer who’s slowly dying. It’s at a time when a solar flare has caused global devastation — and, because his character doesn’t have a lot of time left, he builds a robot to take care of his beloved dog named Goodyear after he’s gone. Make sure you have a box of Kleenex handy for this one.

    Greyhound

    Greyhound on Apple TV+Image source: Apple

    Finally, this next Apple TV+ movie finds Hanks portraying a World War II-era naval officer assigned to protect a merchant ship convoy from Nazi submarines. There’s a claustrophobic intensity that pervades the entire film, thanks to the fact that the viewer essentially stays at Hanks’ side for almost the entirety of the movie, on the ship he commands. Overall, the movie features the perfect mix of action and drama, and I highly enjoyed it.

    Speaking of WWII, by the way, Hanks also re-teamed with Steven Spielberg on Apple’s Masters of the Air, the follow-up to HBO’s WWII miniseries The Pacific and Band of Brothers — both of which, in my opinion, are among the best things HBO has ever produced.

    Wolfs

    Brad Pitt and George Clooney in WolfsImage source: Apple

    Apple’s Wolfs is basically what happens when you take two of Hollywood’s most charming leading men, in this case Brad Pitt and George Clooney, and you throw them into a slick, high-stakes crime caper, letting them do what they do best: Be effortlessly cool.

    Wolfs (the spelling is purposeful, connoting two wolves thrown together for a pairing that doesn’t exactly gel) follows two lone-wolf fixers who get double-booked on the same job and are forced to work together. Naturally, this leads to lots of bickering and banter, as well as plenty of fast-paced action, stylish set pieces, and the kind of chemistry that made Ocean’s Eleven an all-time classic. Check out our review of the movie here.


  • The Best Video Dating Apps for 2025

    The Best Video Dating Apps for 2025


    People looking for love have embraced dating apps as a perfectly acceptable way to meet new romantic partners. However, not all dating apps are created equally. Right now, a dating app’s best feature isn’t simply a community of cool users, but video functionality that lets you chat with other people face-to-face before an in-person meeting. With these top video dating apps, including Editors’ Choice winners Match and Tinder, nothing can stop you from locking eyes with your next potential lover. Read on for the top apps we’ve tested, followed by everything you should know before signing up.

    Deeper Dive: Our Top Tested Picks

    Match

    Best for Long-Term Relationships

    Match

    • Robust, vetted profiles
    • Intuitive interface
    • Excellent filtering tool
    • Video chat
    • Features that specifically target longer relationships
    • Expensive
    • Profile approval isn’t instant

    Match’s unlimited video chat options make it smooth and easy to form virtual connections. Thanks to the Vibe Check feature, potential partners already in a conversation can begin a live video chat session if they both agree. You can also block creeps, and even ask Match’s expert matchmakers for virtual dating advice

    Anyone looking for love. Match is a premium dating app that offers a premium experience. Rich and robust profiles let you truly get to know a person, and judge your compatibility, before potentially entering a serious relationship. It’s the Editors’ Choice pick for finding lasting love.

    Starting Price

    $44.99 per month

    Tinder logo

    Best for Casual Dating

    Tinder

    • Simple, modern interface
    • Addictive swiping feature
    • Free to use the basic functionality
    • Video chat
    • Geared more toward hookups than relationships
    • Lots of incremental ways to spend money

    Tinder’s young, online-oriented users are no strangers to forming virtual connections. Still, video chat makes the online dating experience all that much more real. Once swiping gets old, Tinder’s video chat app, Face and Face, lets consenting partners start talking.

    Tinder is for finding love right now, and there’s nothing wrong with that. Who knows? While some hookups stay casual, others may blossom into something more. Tinder is the Editors’ Choice pick for quick, young romance that favors the physical.

    Starting Price

    $19.99 per month

    Bumble logo

    Best for Woman-First Dating

    Bumble

    • Excellent privacy and safety features
    • Fun and inclusive interface
    • Video chat
    • Robust free version
    • Profiles aren’t particularly substantial
    • Superfluous friend-finder and business-networking options

    Bumble offers many ways to communicate beyond text. You can send audio notes, add a Virtual Dating Badge to your profile, and begin a video chat when you’re ready. 

    Bumble is for women and nonbinary folks who don’t want cis men to have all the power in online dating. It flips the script on who controls the flow of the conversation, as men can only talk to people who have already expressed interest. In an unbalanced world, Bumble helps make things a bit more fair.

    Starting Price

    $16.99 per month

    Hinge logo

    Best for Beautiful Profiles

    Hinge

    • Robust profiles
    • Multiple ways to like profiles
    • Great interplay between photos and text
    • Video chat and voice recordings
    • Limited likes for free users
    • Lacks a desktop version

    Hinge’s attractive, elaborate profiles already give you a pretty good sense of what a person’s about, but you can take it further through video chat. Use the “Dating From Home” menu to start video calls, and get intimate with audio recordings that answer Hinge’s creative icebreaker prompts.

    Hinge strikes an excellent balance between the youthful immediacy of modern dating apps and the deeper dives you want when looking for a stronger connection. Hinge’s profiles do it all, and look beautiful while doing it.

    Starting Price

    $29.99 per month

    eHarmony logo

    Best for Test Takers

    eharmony

    • Robust privacy and security features
    • Thorough profile-building process
    • No in-app transactions
    • Video dating
    • Expensive
    • Basic features locked behind paywall
    • Daunting sign-up survey

    Eharmony is a somewhat old-fashioned dating service. For example, it was a little slow to add same-sex options. However, video dating is the future, and eharmony is here. With Video Date, premium users can start video calls via their match’s profile or in the middle of a conversation string. 

    Eharmony is for people who want to date through data. Its extensive questionnaire uses more than 100 questions to take in as much useful information about you as possible. It then uses that data to find matches that are truly compatible in the long term.

    Starting Price

    $69.90 per month

    Learn More

    eharmony Review

    POF (Plenty of Fish)

    Best for Messaging Without Limits

    POF (Plenty of Fish)

    • Few messaging limits
    • Simple onboarding
    • Many prompts that encourage you to send quality messages
    • Live video streaming
    • Free messaging could mean more spam accounts
    • Can’t link outside accounts like Instagram or Spotify

    Plenty of Fish has the video calling features that have quickly become standard in a pandemic-plagued dating world. More interesting, POF also lets users live stream themselves to the broader community. 

    Plenty of Fish is a good dating app, especially for free users. While the low barrier to entry may invite a lot of spam (or folks not worth dating), ultimately you want a large pool to choose from, and the service delivers just that.

    Starting Price

    $19.99 per month

    Learn More

    POF (Plenty of Fish) Review

    Zoosk

    Best for Fast Browsing

    Zoosk

    • Effective search tool
    • Quick sign-up process
    • Livestreaming and virtual dating
    • Laggy interface
    • Still too many ads
    • Confusing pricing tiers

    Despite a history of technical problems, Zoosk has video features that go above and beyond some more established competitors. Not only can you video call, but the inspired Great Dates feature lets you and a partner virtually explore romantic international locales. Zoosk also has slick, Instagram-esque live streaming functionality. 

    Zoosk isn’t the greatest dating app, but it’s noticeably better than it used to be, thanks to new features like video dating. The quick sign-up process and effective search tools will help you meet the right person.

    Starting Price

    $34.99 per month

    Buying Guide: The Best Video Dating Apps for 2025


    What Is the Best Video Dating App?

    Many dating apps have browser-based versions, but the chances are you’ll do most of your swiping on a mobile device. It’s just easier to casually browse matches on the pocket computer that you carry with you all the time. Those pocket computers also have cameras and microphones that are perfect for video calls. With video calls, dating apps replicate the regular dating experience—just without the physical proximity. 

    Online dating can never replace meeting someone in real life, but video calls significantly bridge the gap. Right now, talking to people on the phone may be the only safe way to meet someone in your area, let alone halfway around the world. Even with the pandemic (hopefully) calming down, video calls serve as a useful extra step before making the ultimate leap to meet up with an online match offline. Swipe appealing profiles, send flirty messages, get virtual face time, and finally see if sparks fly during an in-person date.

    How to virtual date during the coronavirus pandemic

    PCMag Logo How to virtual date during the coronavirus pandemic


    Are Video Dating Apps Safe?

    Video call functionality in dating apps extends beyond simply turning on your camera, and leaving you to the lovesick wolves. Match, Tinder, Bumble, and eharmony recognize that making a connection like this is scary, even scarier than sending a faceless message. Fortunately, these apps attempt to make video dating as comfortable as possible.

    For starters, random users just can’t call you out of the blue. You’ll never see unwanted mugs. Instead, video chat is typically a feature you can only access with existing matches. Even then, the app then asks both people if they want to video chat, and only connects them if both parties consent. Some apps go even further with their video features. POF, and Zoosk let you livestream yourself to the entire community, not just your own matches. They’re like a romance-themed take on live broadcasting in social networks like Instagram. Zoosk’s Great Dates feature even lets couples virtually tour exciting locales. Sparkze turns video dating into an online game show while Filteroff is virtual video speeding dating. Video dating can even make apps safer by thwarting scams and verifying ages. For more, check out our tips on avoiding online dating hoaxes.

    Apps without built-in video chat may still ask if you’re down to video chat, so you can coordinate your virtual date on a separate chat service. Video conferencing tips that help you look good on a Zoom call also help you look good on your video date. As for ideas? Many dating apps also have blogs where you can read all sorts of advice, including virtual date suggestions. OkCupid lacks video chat, but its blog has great distanced-dating ideas like karaoke, shared dinners, and taking a virtual tour. Vinylly lets music lovers buy tickets for in-person and virtual concerts. Kippo lets matches chat over audio, and play games in its shared online social space, its “metaverse.”

    Recommended by Our Editors

    How to Avoid Online Dating Scams

    PCMag Logo How to Avoid Online Dating Scams


    Ready For Your Close-Up? 

    Video chat is such an important part of today’s online dating market that major apps that didn’t offer virtual dating before the pandemic worked overtime to add the feature. Hinge made sure to loudly announce when it finally added video functionality alongside nifty audio recording features. So, if you don’t see your app of choice in this roundup, there’s hope that the service will adopt video calls in the future. In the meantime, turn on your camera and open your heart. 

    For more on dating, check out: How I Ended Up in a Tinder Ad Campaign, Match vs. Tinder: Which Dating Service Deserves Your Everlasting Love?, Secrets From a Dating App Founder, and the Best Hookup Apps.




  • JVC DLA-NZ700 review: premium performance without the price

    JVC DLA-NZ700 review: premium performance without the price



  • Dyson WashG1 vs V15s Detect Submarine: which of Dyson’s mops should you buy?

    Dyson WashG1 vs V15s Detect Submarine: which of Dyson’s mops should you buy?


    The Dyson V15s Submarine and WashG1 are both capable of mopping your floors. In fact, they’re the only models in Dyson’s floor-care lineup that can do so. In this article, we’ll compare the two, so you can see which model will suit your needs best.

    The V15s Detect Submarine launched in 2023 and is a hybrid vacuum and mop. It’s a V15 Detect vacuum, with an extra floorhead just for mopping. The vacuuming capabilities are advanced, but mopping functionality is relatively basic, and both are operated via a trigger that needs to be continually depressed. You can get the full low-down in our Dyson V15s Submarine review.


  • Canon i-SENSYS LBP732Cdw review | ITPro

    Canon i-SENSYS LBP732Cdw review | ITPro


    Canon’s i-SENSYS LBP732Cdw is a fairly big, no-nonsense color laser printer, rated at 38 pages per minute (ppm). It’s aimed at small offices and workgroups with moderate printing needs, and it comes with a strong specification that makes it well suited to the role.

    Printer name spotters – we can’t be the only ones – will know that the ‘w’ in this model name stands for wireless printing. The LBP732Cdw supports 802.11b/g/n 2.4GHz networks, but it also has a gigabit Ethernet port, giving you flexibility in how you connect. The ‘d’ denotes automatic duplex (double-sided) printing, which is a must for any serious office device.


  • Bitdefender Total Security review: Great, easy to use protection

    Bitdefender Total Security review: Great, easy to use protection



  • 10 best fantasy shows of all time, ranked

    10 best fantasy shows of all time, ranked


    Great fantasy shows invite viewers to step away from the ordinary and enter new realms where anything is possible. These worlds are anything but mundane, delivering dazzling spectacles and character-driven stories that keep fans hooked for seasons on end. Whether it’s sprawling kingdoms full of political warfare or magical domains overrun by bizarre creatures, the genre has a variety of enthralling worlds to choose from.

    From cultural phenomenons like Game of Thrones to beloved cult classics like Buffy the Vampire Slayer, the best fantasy shows shaped and defined the genre. This spectacular series offers excitement and escapism through the small screen, with the very best going on to be influential and award-winning classics that fans can revisit over and over again.

    10. Xena: Warrior Princess (1995-2001)

    Xena crouched down in the grass with weapons on her back in Xena: Warrior Princess.
    Renaissance Pictures / Universal Television

    Xena: Warrior Princess is a nostalgic cult classic from the 1990s that served as a spinoff of Hercules: The Legendary Journeys where the titular protagonist was introduced as a supporting character. Focusing on here as the star instead, the spinoff chronicles Xena’s (Lucy Lawless) redemption arc as a former warlord wanting atonement by using her skills as a warrior for good. Alongside the storyteller-turned-fighter Gabrielle (Renee O’Connor), the duo take on mythological creatures, warlords, and even gods on their journey across the ancient world.

    Xena‘s setting is inspired by Greek mythology, making each episode an interestingly-rich and imagined world brimming with fascinating characters. The show also doesn’t take itself seriously, with high-stakes drama complemented by campy humor that showcases the writers’ wit. Xena was also a trailblazer in fantasy TV, as it served as a precursor to modern female-led action epics and tackled feminist themes through its main characters’ storylines.

    Stream Xena: Warrior Princess on Prime Video.

    9. Charmed (1998-2006)

    Prue (Shannen Doherty), Piper (Holly Marie Combs), and Phoebe (Alyssa Milano) in Charmed.
    The WB

    With the “Power of Three,” Charmed cast a spell on countless fans and became one of the most popular fantasy shows of its era. The WB series follows the Halliwell sisters — Prue (Shannen Doherty), Piper (Holly Marie Combs), and Phoebe (Alyssa Milano) — as they explore their abilities and roles as the Charmed Ones, the most powerful witches ever prophesied. Living in their ancestral San Francisco manor, the trio struggle to balance their ordinary lives with their supernatural side. The group was also later joined by Paige (Rose McGowan).

    Charmed offered magical whimsy with some binge-worthy drama, keeping fans coming back for more. At its core, the show is beloved for its celebration of the friendship between three powerful women who choose to be good witches. Its impact as a pioneering series is still felt today, with new audiences discovering it on streaming platforms. Charmed has even inspired a less successful reboot on The CW, which premiered in 2018.

    Stream Charmed on Prime Video.

    8. Outlander (2014-)

    Sam Heughan and Caitriona Balfe in Outlander.
    Starz

    Outlander is a historical drama and fantasy series based on Diana Gabaldon’s eponymous novels. The show follows Claire Randall (Caitríona Balfe), a World War II nurse mysteriously transported back to 1743 Scotland through the standing stones of Craigh na Dun. While navigating a chaotic era where her freedom and identity are changed significantly, Claire unexpectedly falls in love with the dashing Highland warrior Jamie Fraser (Sam Heughan). She’s then caught between the life she made in 1743 and the one she left with her husband in 1945.

    After a decade’s worth of storytelling, Outlander has captivated viewers with its unique time-traveling period story that tells an epic romance. On top of that, the series also places its protagonists in historical settings, involving them in political events, real-life rebellions, and more. It becomes impossible not to root for them as they experience the march of history and fight for their love across time and space. Fans of the series can look forward to a confirmed spinoff titled Outlander: Blood of My Blood, which will further explore the original’s one-of-a-kind world.

    Stream Outlander on Starz.

    7. Merlin (2008-2012)

    Colin Morgan as Merlin.
    BBC One

    In a reimagining of the Arthurian legends, Merlin sees the titular wizard (played by Colin Morgan) first as a young man who discovers his magical powers. He must keep them a secret since King Uther Pendragon (Anthony Head) has outlawed the use of magic in his kingdom. When Merlin is tasked with protecting the king’s son, Prince Arthur (Bradley James), he realizes that he must use his powers to protect him while also guiding him to become a better future ruler.

    The bond that forms between Arthur and Merlin becomes the cornerstone of the series, with the duo evolving as characters with each new threat they face. Merlin attracts audiences with its light-hearted adventures but keeps them investing in the increasingly serious stakes as Arthur faces his role and Merlin finds himself. While its CGI hasn’t aged the best and betrays the show’s low budget, it’s still worth revisiting for fans of the genre.

    Stream Merlin on Prime Video.

    6. Bewitched (1964-1972)

    The cast of Bewitched.
    ABC

    Bewitched is a must-see classic sitcom that centers on a charming witch, Samantha Stephens (Elizabeth Montgomery), who marries mortal adman, Darrin Stephens (Dick York, later Dick Sargent), and vows to live as an ordinary suburban housewife. Of course, suppressing her magical powers proves easier said than done, as it’s much easier to get through daily life with them. There’s also the problem of her meddling spell-casting relatives, who mostly dislike her husband and resent her situation.

    The comedic series relies on funny domestic situations with a twist on magic. What made it such a standout, however, is that it uses this mischievous humor to subtly comment on modern domesticity and gender roles. Samantha’s efforts to balance her built-in magic with her desire for a “normal” life mirror the struggles of women in the 1960s, cementing Bewitched as a groundbreaking and daring show that would inspire the fantasy sitcoms that followed.

    Stream Bewitched on The Roku Channel.

    5. The Witcher (2019-)

    Henry Cavill as Geralt of Rivia looking ahead in The Witcher.
    Netflix

    Based on the eponymous book series by Polish author Andrzej Sapkowski, The Witcher is a gritty fantasy show that follows Geralt of Rivia (Henry Cavill), who hunts monsters for a living. The series is set in a fictional medieval-inspired world where the titular witcher finds himself following the destined path that leads him to Princess Ciri (Freya Allan) and the sorceress Yennefer of Vengerberg (Anya Chalotra). The trio then works together as they fight bigger forces and participate in larger political conflicts that escalate into all-out wars.

    Fans of both the books and the game can appreciate The Witcher‘s interpretation of its source material. It thrives thanks to its morally gray approach, lending the show a darker and grittier feel for fantasy enthusiasts who prefer those types of stories. While it remains to be seen how Cavill’s controversial recasting — with Liam Hemsworth taking over the role of Geralt of Rivia — will affect the series, it’s safe to say that for now, it’s considered among the best modern fantasy shows.

    Stream The Witcher on Netflix.

    4. Stranger Things (2016-2025)

    Four kids gather around a desk and stare at the computer.
    Netflix

    Netflix’s crowning achievement in the sci-fi and fantasy genres, Stranger Things is a megahit that needs no introduction. Set in the fictional town of Hawkins, Indiana, the series begins in 1983 with the mysterious disappearance of young Will Byers (Noah Schnapp). As his friends—Mike Wheeler (Finn Wolfhard), Lucas Sinclair (Caleb McLaughlin), and Dustin Henderson (Gaten Matarazzo)—search for him, they find Eleven (Millie Bobby Brown), a mysterious girl with telekinetic abilities. Their journey soon leads to the discovery of a secret government experiment and a parallel dimension known as the Upside Down.

    Stranger Things soars thanks to the friendship between its characters and the satisfying way fans have grown up alongside the talented cast. It also seamlessly fuses 1980s nostalgia with a supernatural story that can be scary at times, without ever losing sight of the fun times between the group. The fifth and final season, slated for release in 2025, promises to provide an explosive ending to what the show has been building up to all of these years, and viewers can only hope that they stick the landing.

    Stream Stranger Things on Netflix.

    3. Supernatural (2005-2020)

    Jensen Ackles and Jared Padalecki in Supernatural.
    Warner Bros.

    Supernatural is a genre-defining series that ran for an unprecedented 15 seasons, becoming one of the most beloved and enduring TV shows of all time. It’s centered on the brothers Sam (Jared Padalecki) and Dean Winchester (Jensen Ackles), who travel across America on what is essentially a “monster-of-the-week” road trip. The show evolves to incorporate more complicated storylines that touch on the brothers’ familial issues and bigger supernatural foes.

    Supernatural embraces its horror roots, drawing inspiration from urban legends, folklore, and pop culture to create enthralling stories every week. The brothers’ relationship is at the heart of the series, which made it so popular. The Winchester brothers are the iconic duo that served as the anchor for the show for all those years, keeping fans coming back for more each week. The show would eventually focus on their arcs, focusing on their struggles and inner battles, giving audiences even more reasons to stay tuned.

    Stream Supernatural on Netflix.

    2. Buffy the Vampire Slayer (1997-2003)

    Buffy in Buffy the Vampire Slayer.
    Warner Bros.

    A pioneering work within the supernatural and fantasy genres, Buffy the Vampire Slayer is an addictive blend of action, humor, and drama. It revolves around Buffy Summers (Sarah Michelle Gellar), a high school student who reluctantly accepts her role as the Chosen One — destined to battle dark forces like vampires and demons. Relocating to Sunnydale, a California town situated over a Hellmouth, Buffy struggles to balance her supernatural duties with the everyday hardships of teenage life.

    Each season of Buffy the Vampire Slayer features a “Big Bad” or a major antagonist like the ancient vampire The Master. To take them down, Buffy is supported by the “Scooby Gang,” made up of her friends and mentor. With sharp storytelling and numerous innovative twists on classic tropes, the series became a celebrated classic that many fans continue to reference and revisit today. It has an active fandom that collects its hundreds of tie-in products, and the show also spawned the “Buffyverse,” which includes its popular spinoff titled Angel.

    Stream Buffy the Vampire Slayer on Hulu.

    1. Game of Thrones (2011-2019)

    Daenerys Targaryen with Drogon behind her in Game of Thrones.
    HBO

    HBO’s epic adaptation of George R.R. Martin’s A Song of Ice and Fire series, Game of Thrones is a monumental achievement in fantasy television and an undeniable cultural phenomenon. Set in the fictional continents of Westeros and Essos, the series begins as noble families vie for control of the Iron Throne while a looming threat from beyond the Wall—the White Walkers—threatens to upend the known world. Over eight seasons, the show explores the various political factions, new romances and alliances, dramatic betrayals, and so much more.

    Despite its terrible final season, Game of Thrones still stands as the peak of fantasy TV, thanks to its cutting-edge visuals, ambitious and far-reaching arcs, and amazing cast. The series is a spectacle that delivered an unparalleled sense of scale to the small screen, all while relying on Shakespearean drama to keep fans glued to their screens every week. While it didn’t end on a high note, Game of Thrones’ influence on the genre has cemented it alongside the greats, with numerous planned spin-offs being a testament to its legacy.

    Stream Game of Thrones on Max.








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  • The 43 Best Shows on Netflix Right Now (February 2025)

    The 43 Best Shows on Netflix Right Now (February 2025)


    Streaming services are known for having award-worthy series but also plenty of duds. Our guide to the best TV shows on Netflix is updated weekly to help you know which series you should move to the top of your queue. They aren’t all surefire winners—we love a good less-than-obvious gem—but they’re all worth your time, trust us.

    Feel like you’ve already watched everything on this list that you want to see? Try our guide to the best movies on Netflix for more options. And if you’ve already completed Netflix and are in need of a new challenge, check out our picks for the best shows on Hulu and the best shows on Disney+. Don’t like our picks or want to offer suggestions of your own? Head to the comments below.

    If you buy something using links in our stories, we may earn a commission. This helps support our journalism. Learn more.

    The Night Agent

    Special agent Peter Sutherland (Gabriel Basso) is back, and the stakes have never been higher. While the first season of The Night Agent wove a compelling spy drama out of the idea of a mole at the heart of America’s intelligence services, the newly arrived second season takes a more global approach—Sutherland hunts down a stolen chemical weapon project, drawing him back into the orbit of tech savant and sometime love interest Rose Larkin (Luciane Buchanan), while Iranian diplomatic aide Noor Taheri (Arienne Mandi) offers secrets to the CIA in return for asylum, and a deposed Eastern European dictator aims to manipulate everything from behind bars. Sure, the show’s mix of politics and spook work won’t surprise genre diehards, but it weaves together its many influences—and many more plot threads—into a supremely entertaining thriller.

    Asura

    The four Takezawa sisters are close but have little in common. Eldest Tsunako (Rie Miyazawa) is already a widow; repressed Takiko (Yû Aoi) and rebellious Sakiko (Suzu Hirose) are always at each other’s throats; and second-born Makiko (Machiko Ono) tries to balance keeping the peace with being a housewife and mother to her own two children. Yet when Takiko learns that their father Kotaro (Jun Kunimura) may have a second, secret, family, the sisters’ bonds are put to the test as they struggle to uncover the truth. Asura is far more than a turgid family drama—it’s equal parts heartwarming and hilarious, capturing the complexities of the relationships between its quartet of protagonists. Keeping the 1970s setting of Kuniko Mukōda’s original novel allows Palme d’Or– winning director Hirokazu Kore-eda (Shoplifters) to craft a gorgeously shot period piece that still feels incredibly timely and modern.

    Castlevania: Nocturne

    In the midst of the French Revolution, citizens rise up against a parasitic ruling class—but vampire hunter Richter Belmont and his magic-wielding allies Maria and Annette are more concerned with what’s literally bleeding the people dry. The first season of this grisly adult animated series saw the team coming together to face the rise of a “Vampire Messiah” prophesied to devour the sun, but the new second season ratchets up the action as the heroes team with Alucard, son of Dracula, to try to restore light to the world. Let’s just say the stakes (sorry) have never been higher. While Nocturne’s second season has some closer links to the previous Castlevania animated series, it still works perfectly well on its own, delivering high quality animation, brilliant action, and a fantastic cast of characters to sink your teeth into (sorry, again).

    Sakamoto Days

    Taro Sakamoto used to be the worst of the worst, a hit man par excellence, his lethal skills making him a legendary figure in the criminal underworld. Then he fell in love, got married, and retired to run a convenience store with his wife Aoi and their daughter Hana. Unfortunately, he didn’t exactly leave his old job on the best of terms, and now a cadre of killers are out for the billion yen bounty on his head. Luckily, Sakamoto’s lost none of his skills—even though he has let himself go in other areas—but can he protect his family without breaking Aoi’s strict “no killing” rule? Based on the manga by Yuto Suzuki, this comedy-action anime is a blast, and with a new episode each Saturday rather than Netflix’s usual drop-it-all-at-once model, it’s appointment viewing you won’t want to miss.

    Jentry Chau vs the Underworld

    You know the drill—everyday teenager learns she has superpowers and is destined to fight the forces of darkness. Except Jentry Chau (voiced by Ali Wong) is not like any other teenage girl—she’s known about the supernatural her whole life (her uncontrollable fire powers were a giveaway) and spent a lifetime avoiding it. Sent to study in Korea for her own safety, Jentry is drawn back into the mystic world after being attacked in Seoul by a jiangshi named Ed (Bowen Yang). Brought back to her home in Texas by her great-aunt, Jentry has to survive not only the formidable mogui Mr. Cheng, who intends to drain her soul and powers, but the horrors of high school, culture shock, and the pain of her own past. Taking the “high school is hell” metaphor of Buffy the Vampire Slayer, adding a dash of Gravity Falls’ mystery, and rooting it all in Asian mythology, Jentry Chau vs the Underworld is one of Netflix’s freshest animated shows in years.

    Missing You

    Netflix’s latest adaptation of a Harlan Coben novel sees British police detective Kat Donovan (Rosalind Eleazar) drawn into a web of betrayal and conspiracy when she finds her former fiancé, Josh (Ashley Walters), on a dating app—11 years after his disappearance. It’s far more than a brutal ghosting though, as a missing woman was last seen with him, and Josh’s vanishing may have connections to the murder of Kat’s own father. Missing You may feel slightly padded at times—annoying when it’s only five episodes to begin with—but this twisty crime thriller is perfect viewing for the cold winter months.

    Squid Game

    Produced in Korea, Squid Game blends Hunger Games and Parasite with a battle-royal-style contest. Hundreds of desperate, broke people are recruited to a contest where they can win enough money to never need to worry about their debts again. All they have to do to win the ₩45.6 billion ($35.8 million) jackpot is complete six children’s games. But it’s not that simple: All the games have a twist, and very few people make it out alive. Squid Game is intense, brutal, and often very graphic, but it is also completely gripping. After the show became a cultural phenomenon in 2021, fans waited what felt like an eternity for another season. That second season finally dropped on December 26.

    Queer Eye

    A reformatted Fab Five return, ready to change the lives of 10 new heroes. Relocating to Las Vegas, the ninth season of Queer Eye sees Karamo, Tan, Antoni, Jonathan, and new host Jeremiah Brent—taking Bobby Berk’s seat as the design whiz—helping a retired showgirl regain her sparkle, organizing a dream wedding for new parents, and, in possibly their strangest case yet, teaching a magic dragon to shed his scaly exterior. No, really. Netflix’s most feel-good show.

    No Good Deed

    Take Selling Sunset and add a grisly tragicomic twist and you just about have No Good Deed. A dark comedy from Liz Feldman, creator of Dead to Me, this eight-part series starts with Lydia and Paul Morgan (Lisa Kudrow and Ray Romano) putting their gorgeous home on the market, and descends into darker territory as prospective buyers go to ever more desperate attempts to get their hands on the house, nosy neighbors interfere, and the grisly history of the house itself threatens to come to light. Buoyed by a stellar cast including Teyonah Parris, Abbi Jacobson, Luke Wilson, and Denis Leary, this is a glossy, witty, and possibly only slightly exaggerated take on the brutality of the Los Angeles property market.

    A Man on the Inside

    The latest show from comedy mastermind Michael Schur (The Good Place, Parks and Recreation, Brooklyn Nine-Nine), A Man on the Inside features Ted Danson as Charles Nieuwendyk, a retired engineering professor who’s lost all direction since his wife passed. But when private investigator Julie Kovalenko (Lilah Richcreek Estrada) needs a man of his demographic to go undercover in a retirement community to investigate allegations of resident abuse, Charles may find an unlikely new lease on life—if he can figure out how to use his smartphone, that is. Reflecting on end-of-life realities as much as it plays up Charles’ fish-out-of-water situation, it’s a show that’s equal parts poignant, melancholic, and achingly funny—and it’s based on a true story, to boot.

    Black Doves

    Helen Webb (Keira Knightley) is wife to the UK defense secretary, mother to two children, and bored with her picture-perfect life. Spectacular cover then, since she’s actually a spy for the mercenary organization Black Doves, selling state secrets to the highest bidder. But when her real love Jason (Andrew Koji) is killed, Helen is determined to find out who killed him and why—and her pursuit of the truth threatens both her public and private lives. Paired with assassin and old friend Sam (Ben Whishaw, in a very different spy role to his turn in the James Bond films) at the behest of stern operator Mrs. Reed (Sarah Lancashire), Helen’s obsession could have led to a dour, gritty thriller, but Black Doves bucks the grim-dark trend to serve up a pulpy, colorful outing with enough heart to balance its violence. At only six episodes (with a second season already confirmed), it’s a brisk watch too.

    Arcane

    Animated series based on video games can run the gamut from cheap cash-ins to half-decent if forgettable tie-ins, inaccessible to anyone but hardcore devotees. Yet Arcane stood out by making its connections to Riot Games’ League of Legends almost optional. While its central figures, orphaned sisters Vi and Jinx, are playable characters in the game, this steampunk saga of class war, civil uprising, and the people caught in between is entirely accessible. The second and final season, released in a trio of movie-length blocks of three episodes apiece, escalates the conflict between the warring factions but never loses its central focus on the fractured relationship between sisters. With a gorgeous painterly art style, strong characters, and frequently shocking story beats, Arcane is one of the best animated series in years—and it has racked up plenty of awards, including a Primetime Emmy for Outstanding Animated Program, to prove it.

    Cobra Kai

    Picking up decades after Daniel LaRusso and Johnny Lawrence’s iconic fight at the end of the first Karate Kid movie, Cobra Kai initially follows a washed-up Johnny as he reopens the Cobra Kai karate dojo, finding new purpose after defending his young neighbor Miguel (Xolo Maridueña, Blue Beetle) in a fight. Over the course of six seasons, the stakes get higher—and frankly, increasingly, gloriously, ludicrous—as rival martial arts schools start cropping up all over California. Alliances are forged and broken with alarming regularity, and everything gears toward a global battle for karate supremacy. It’s all a little bit tongue-in-cheek, and with Ralph Macchio and William Zabka reprising their 1980s roles, the show is an unabashed love letter to the classic action flicks, but thanks to some seriously impressive fights and stunt work, it’s a retro-styled delight.

    Hellbound

    Imagine a supernatural figure appeared and told you precisely when you were going to die—what would you do? Now, imagine if this wasn’t a one-off personal experience, and society as a whole was aware of such warnings from beyond. Forget the giant smoke demons dragging foretold victims to hell, the societal shifts are the real hook of this striking South Korean horror series from Train to Busan director Yeon Sang-ho. The first season delved into complex theological issues such as the nature of sin and justice, while the newly arrived second season takes things further with a series of very public resurrections, further shaking a world already on the brink of existential chaos. Hellbound remains one of the most innovative horror shows in years.

    The Diplomat

    If there’s a West Wing-shaped hole in your life, look no further than The Diplomat—a tense geopolitical thriller elevated by a superb central performance by The Americans’ Keri Russell as Kate Wyler, newly appointed US ambassador to the UK. Far from being an easy assignment in a friendly country, Kate’s role coincides with an attack on a British aircraft carrier, leaving her to defuse an international crisis while also navigating her fraying “special relationship” with husband Hal (Rufus Sewell). The second season picks up from a literally explosive cliffhanger and propels Kate into a political conspiracy—and a potential promotion to vice president. Some of the twists along the way are faintly ridiculous, but The Diplomat has become one of Netflix’s biggest hits in recent years, and a third season is already in the works.

    Nobody Wants This

    Stop us if you’ve heard this one before: An agnostic sex podcaster and a Rabbi walk into a party … OK, it’s not quite a setup for a joke, but rather for a sharp romcom—one based, in exaggerated form, on creator Erin Foster’s own experiences. Joanne (Kristen Bell, The Good Place) is cynical and burned out on modern dating, even as it provides her material for the increasingly successful podcast she hosts with her sister Morgan (Justine Lupe). When she meets young, handsome Noah (Adam Brody, The OC), the attraction is instant and mutual—except he’s just broken up with the stereotypical Nice Jewish Girl™ his family expected him to settle down with. Yet as the pair swirl through each other’s lives, the show proves it’s less about culture clash than it is exploring what the seemingly mismatched pair are willing to change and sacrifice to make their burgeoning relationship work. With sizzling chemistry between its leads, Nobody Wants This is a romcom with an emphasis on the romance.

    Heartstopper

    One of the most joyful shows on Netflix returns for another school year of teen drama and heartfelt queer romance. In the long-awaited third season, things heat up between the central couple, with Charlie (Joe Locke) preparing to say three little words to Nick (Kit Connor) for the first time, while Elle (Yasmin Finney) and Tao (William Gao) try to have the perfect romantic summer before Elle starts art college. Heartstopper‘s return also sheds some of its earlier cloying tendencies, growing up alongside its talented young cast and giving them more serious material to work with, tackling more mature themes of sex, eating disorders, and gender dysphoria—all without losing the warmth and charm that made audiences fall in love with the show in the first place. The show younger LGBTQ+ viewers need now, older ones needed years ago, and one that everyone needs to watch, whatever their sexuality.

    Terminator Zero

    Watch the above trailer for Terminator Zero and you might think it’s merely an animated repeat of the highlights from James Cameron’s first two Terminator films—and to an extent, you’d be right. But look beyond the familiar imagery of cyborg cops hunting down innocent humans and plucky resistance fighters pushing back against AI-driven extinction, and you’ll find one of the sharpest entries in the Terminator franchise in years. The first half of this eight-episode series treads that familiar ground, with computer engineer Malcolm Lee (voiced by André Holland, English language; Yuuya Uchida, Japanese) and his children in 1997 Tokyo targeted by Skynet’s murder-bots from the future for his work developing Kokoro (Rosario Dawson/Atsumi Tanezaki), an intelligence system to rival Skynet, which he somehow knows is set to bring about Judgment Day. With only human resistance soldier Eiko (Sonoya Mizuno/Toa Yukinari) able to protect them, there’s plenty of the kinetic, visceral action that Terminator is known for. The back half, though, brings considerably more depth, tapping into the often overlooked hard sci-fi elements of the universe, exploring time travel and paradoxes alongside existentialist discussions on the nature of consciousness. The best balance of brains and brawn since Terminator II.

    Baby Reindeer

    Stalking is no laughing matter, which makes this dramatized—and highly controversial—retelling of Scottish comedian Richard Gadd’s own real-life experiences more than a little uncomfortable. Adapted from Gadd’s one-man stage show of the same name, Baby Reindeer follows Donny (Gadd, playing a fictionalized version of himself) after he meets Martha (Jessica Gunning) at the pub he works at. Despite claiming to be a lawyer, Martha can’t afford a drink—and a sympathetic gesture on Donny’s part opens the door to increasingly obsessive and dangerous behavior as she proceeds to infiltrate his life. It’s shockingly honest and self-aware in places—does Donny, and by extension Gadd, on some level relish the attention of his stalker? Are his occasional moments of kindness and warmth toward Martha inviting her further in? Is he using her, finding her a strange source of material for his stand-up career? A fiercely paced seven episodes, shot more like a horror movie, this Emmy-winning miniseries explores trauma and intimacy, shame and masculinity, and how society often silences the victims of abuse.

    The Boyfriend

    “Anyone can fall in love with anyone” is the opening narration to The Boyfriend, Japan’s first same-sex dating show—a bold and progressive statement that reflects the shifting tide of opinion in the country. Throwing nine single men together in an idyllic beach house for a summer and charging them with running a coffee truck, the over-arching concept is to see who’ll pair up, but the series is as interested in exploring the friendships that emerge between the cast as it is the romantic relationships. Unlike Western dating shows, there are no scandals, no dramatic twists, no betrayals, and the “challenges” are adorably focused on confessing feelings. The gentleness of it all adds an almost relaxing quality, with the men discussing their emotions—and the nature of being queer in Japan—earnestly. An absolutely joyful example of reality TV.

    Kleo

    If you’re pining for more Killing Eve, then this German thriller may be the next best thing. Set in the late 1980s and early 1990s, the series follows the eponymous Kleo (Jella Haase), a Stasi assassin imprisoned by her agency on false treason charges. Released after the fall of the Berlin Wall, she seeks revenge on her former handlers—but West German detective Sven (Dimitrij Schaad), the only witness to her last kill, may have something to say about that. As dark and violent as you’d expect given the period and the themes of betrayal and vengeance, Kleo is lightened by its oft-deranged sense of humor and a charismatic lead duo who brilliantly bounce off one another—chemistry that’s only heightened in the second season as Kleo’s pursuit of her old allies intensifies, attracting attention from international spy agencies in the aftermath of the Cold War.

    Sweet Home

    Based on the Korean webcomic by Kim Carnby and Hwang Young-chan, Sweet Home offers a very different vision of apocalyptic end times—rather than pandemics, disasters, or even zombies, this posits an end of the world brought about by people’s transformation into grotesque monsters, each unique and seemingly based on their deepest desires when they were human. The first season is a masterclass in claustrophobic horror, as the residents of an isolated, run-down apartment building—chiefly suicidal teen Cha Hyun-su (Song Kang), former firefighter Seo Yi-kyung (Lee Si-young), and Pyeon Sang-wook (Lee Jin-wook), who may be a brutal gangster—battle for survival. The second and third seasons explore what remains of the wider world, delving into the true nature of both monster and man—and if there’s any hope for what remains of humanity. With phenomenal effects work blending prosthetics, CGI, and even stop-motion animation for some disturbingly juddering creatures, this stands apart from the horror crowd.

    Star Trek Prodigy

    Paramount+’s loss remains Netflix’s gain, as the streamer’s license rescue of this great Star Trek spin-off warps into its second season. After escaping a distant prison planet and becoming Starfleet cadets under the watchful eye of Star Trek Voyager’s Admiral Janeway (voiced by the venerable Kate Mulgrew), the ragtag crew—led by aspiring captain Dal R’El and bolstered by astrolinguist Gwyndala, engineer Jankom Pog, energy being Zero, scientist Rok-Tahk, and indestructible, gelatinous Murf—find themselves cast through time on the most dangerous mission of their young lives. While aimed at younger audiences and intended as an intro to the wider Trek universe and its ethics, Prodigy packs in plenty for older Trekkers to appreciate, particularly with a slate of returning Star Trek legends voiced by their original actors. Prodigy is something of a sleeper hit, but one of the best Trek shows in years.

    Supacell

    One by one, five Black Londoners awaken to strange superpowers. Struggling father Andre (Eric Kofi-Abrefa) develops superstrength, nurse Sabrina (Nadine Mills) unleashes phenomenal telekinetic might, drug dealer Rodney (Calvin Demba) races at superspeed, and wannabe gang leader Tazer (Josh Tedeku) turns invisible. But it’s Michael (Tosin Cole, Doctor Who) who may be the most pivotal, realizing he can leap through time and space and learning he only has three months to save his fiancée’s life. Created by Andrew “Rapman” Onwubolu, Supacell is a show about superpowers, but not necessarily superheroes, with its fantastic cast offering up a far more realistic and human exploration of now-familiar ideas than anything you’ll find in the Marvel Cinematic Universe. And the mystery of why—and how—only Black people seem to be gaining powers builds up to a more powerful punch than an Asgardian god of thunder. A smart, modern, and refreshing take on the genre.

    The Good Place

    After suffering an improbable and humiliating death, Eleanor (Kristen Bell) finds herself in “The Good Place,” a perfect neighborhood inhabited by the world’s worthiest people. The only problem? She’s not meant to be there. Desperate to not be sent to “The Bad Place,” she tries to correct her behavior in the afterlife, with the help of her assigned soulmate, philosophy professor Chidi (William Jackson Harper). A twist at the end of the first season remains one of the best ever, while the show’s ability to sprinkle ethical and philosophical precepts into a sitcom format is frankly astounding. With a sensational cast rounded out by Manny Jacinto, Jameela Jamil, D’Arcy Carden, and Ted Danson, The Good Place more than earns its place in the good place of TV history.

    Bridgerton

    Still ranking as one of Netflix’s most-watched series ever, Bridgerton is set during the Regency period in England and follows the powerful Bridgerton family as they navigate love, marriage, and scandal—with most of the latter stirred up by the gossip columns penned by the anonymous Lady Whistledown. Created for screen by Chris Van Dusen and executive produced by Shonda Rhimes, this incredibly bingeable and shockingly entertaining show is based on a series of novels by Julia Quinn, with each season focusing on a different branch of the Bridgerton tree. The third and latest season sees the spotlight fall on the long-simmering relationship between wallflower Penelope Featherington (Nicola Coughlan) and Colin Bridgerton (Luke Newton), a pairing that threatens to reveal powerful secrets that have been bubbling away since the very first episode.

    Bodkin

    When American podcaster Gilbert Power (Will Forte) and his enthusiastic assistant Emmy Sizergh (Robyn Cara) descend on the sleepy Irish town of Bodkin—reluctantly aided by investigative journalist Dove Maloney (a brilliantly acerbic Siobhán Cullen, cussing out everyone who glances her way)—he thinks he’s going to crack a decades-old missing-persons cold case. What he finds is a community with absolutely zero interest in his investigation, and even less in his attempts to “connect” with his Irish roots. But before long, the villagers’ quirky behavior starts to feel stereotypical, performative even—and Power realizes the cold case may not be quite so chilly. Bodkin suffers from a slow start—give it at least two episodes before writing it off as not for you—but once this darkly comedic mystery gets going, you’ll likely be just as invested as in your favorite true crime podcast. (Just don’t take inspiration and try sleuthing any cold cases yourself.)

    3 Body Problem

    In 1960s China, at the height of the Cultural Revolution, gifted scholar Wenjie Ye witnesses her physicist father being beaten to death for his research, only for her to be recruited to a secret project relying on that same knowledge. Fast-forward to the present day, and physics is broken: Particle accelerators around the world are delivering impossible data, while scientists are being plagued by countdowns only they can see. Meanwhile, strange VR headsets appear to be transporting players to an entirely different world—and humanity’s continued existence may rely on there being no “game over.” Game of Thrones’ creators D. B. Weiss and David Benioff and True Blood executive producer Alexander Woo reimagine Chinese author Cixin Liu’s acclaimed hard sci-fi trilogy of first contact and looming interplanetary conflict as a more global affair. Wildly ambitious, and boasting an international cast featuring the likes of Benedict Wong, Rosalind Chao, Eiza González, and GOT alum John Bradley, Netflix’s 3 Body Problem serves up the opening salvo in a richly detailed and staggeringly complex saga.

    Ripley

    Perhaps best known nowadays from 1999’s The Talented Mr. Ripley starring Matt Damon, novelist Patricia Highsmith’s inveterate criminal Tom Ripley has a longer, darker legacy in print and on the screen. For this limited series, creator Steven Zaillian goes back to Highsmith’s original text, presenting Ridley (a never-more-sinister Andrew Scott of All of Us Strangers) as a down-on-his-luck con man in 1950s New York who is recruited by a wealthy shipbuilder to travel to Italy and persuade the businessman’s spoiled son Dickie Greenleaf (Johnny Flynn) to return home. But once in Italy, Ripley finds himself enamored with Dickie’s lavish lifestyle—and will do anything to take it for himself. Shot in black and white to really sell its noir credentials, this is an instant contender for the finest interpretation of Highsmith’s works to date.

    Girls5eva

    Saving it from Peacock after two seasons, Netflix has gotten the band back together for this sharp comedy from creator Meredith Scardino. Twenty years after they split up, girl group Girls5Eva—Dawn (Sara Bareilles), Gloria (Paula Pell), Summer (Busy Philipps), and Wickie (Renée Elise Goldsberry)—find themselves back in demand after their one big hit is sampled by popular rapper Li’l Stinker (Jeremiah Craft). Turning their renewed popularity into an opportunity to reunite, the women try to gain the stardom, respect, and musical integrity they never had in their youth, even as life has taken them in very different directions. Poking fun at the absurdity of the late ’90s/early ’00s pop scene—and how little has changed since—and heightened by an almost surrealist edge in places, Girls5eva is a comedy that deserves its time in the spotlight.

    Avatar: The Last Airbender

    A talented young cast bring to life the tale of Aang (Gordon Cormier), the latest in a long line of avatars who can control all four cardinal elements, but is frozen in time for a century when his world needed him most. Awakened by new friends Katara (Kiawentiio) and Sokka (Ian Ousley), he sets about continuing his training as the Avatar in an attempt to restore balance, all the while pursued by the relentless Prince Zuko (Dallas Liu), heir to the imperialist Fire Nation that has conquered the world. Consider this a cautious recommendation—the original animated version, also on Netflix, remains superior—but Netflix’s live action Avatar remake serves up scale and spectacle, without betraying the heart of the classic show. It’s also already confirmed for two more seasons, so viewers can look forward to the complete saga without the now-familiar Netflix cancellation worries.

    The Legend of Korra

    If you’re still not sold on the live-action Avatar, this sequel to the original series is well worth your time. Set 70 years after the animated Avatar: The Last Airbender, The Legend of Korra explores how Aang’s world has progressed after decades of relative peace. When Korra, the new Avatar, moves to Republic City to complete her training under the tutelage of Tenzin—Aang’s son, now with a family of his own—she finds herself and new friends Mako and Bolin caught in the growing tensions between element benders and the Equalist movement, who claim the unpowered are an oppressed class. As the series progresses over its four seasons, The Legend of Korra proves itself a very different beast than its predecessor, exploring political themes and social prejudices in deeper—and often darker—detail, while also expanding the more fantastic elements of the universe and revealing the origins of the first Avatar. Even more brilliantly animated, and with a unique 1920s inspired aesthetic, Korra is a show that grew up alongside its audience, and is all the stronger for it.

    Beef

    Ever been cut off in traffic? Ever had it happen when you’re having a really bad day? Ever just wanted to take the low road, chase the person down and make them pay?! Then—after a few deep breaths—Beef is the show for you. It’s a pressure valve for every petty grievance you’ve ever suffered, following rich Amy (Ali Wong) and struggling Danny (Steven Yeun) as they escalate a road rage encounter into a vengeance-fueled quest to destroy the other. Yet Beef is more than a city-wide revenge thriller—it’s a biting look at how crushing modern life can be, particularly in its LA setting, where extravagant wealth brushes up against inescapable poverty and seemingly no one is truly happy. Part dramedy, part therapy, Beef is a bad example of conflict resolution but a cathartic binge watch that clearly resonates—as evidenced by its growing clutch of awards, including the Golden Globe for Best Limited Series.

    Loudermilk

    Something of a sleeper hit for years—its first two seasons debuted on AT&T’s now-defunct pay TV channel Audience in 2017, before its third season appeared over on Amazon—all three seasons of this bleak comedy are now available on Netflix. Ron Livingston stars as Sam Loudermilk, a vitriolic former music critic and recovering alcoholic who proves almost pathologically incapable of holding his tongue when faced with life’s small frustrations—a personality type possibly ill-suited to leading others through addiction support groups. It’s dark in places, and its central character is deliberately unlikeable, but smart writing and smarter performances shape this into something of an acerbic anti-Frasier.

    Scott Pilgrim Takes Off

    Adapted from the beloved graphic novel series by Bryan Lee O’Malley, animated by one of the most exciting and dynamic studios in Japan, and voiced by the entire returning cast of director Edgar Wright’s 2010 live-action adaption, Scott Pilgrim Takes Off would have been cult gold even if it was a straight retelling of its eponymous slacker’s battles against lover Ramona Flowers’ seven evil exes. Yet somehow, in a world devoid of surprises, this packs in killer twists from the very first episode, making for a show that’s as fresh and exciting as ever. Saying anything else would ruin it—just watch.

    Pluto

    Think you know Astro Boy? Think again. In 2003, Naoki Urasawa (Monster, 20th Century Boys) updated original creator Osamu Tezuka’s hugely influential “The Greatest Robot on Earth” story arc for his manga Pluto, opting for a more adult approach. The focus shifts from the heroic boy robot to grizzled cybernetic detective Gesicht as he investigates a series of murders of both humans and robots, each victim left with makeshift horns crammed into their heads. Meanwhile, Atom (Astro’s Japanese name) is recast as a former peace ambassador, effectively a propaganda tool rolled out at the end of the 39th Central Asian War, still dealing with trauma from the experience. This adaptation is not only a faithful recreation of Urasawa’s retelling, but is stunningly animated to a standard rarely seen in Netflix’s original anime productions. With eight episodes, each around an hour long, this is as prestigious as any live-action thriller the streamer has produced, and a testament to both Tezuka and Urasawa’s respective geniuses.

    Blue Eye Samurai

    In the 17th Century, Japan enforced its “sakoku” isolationist foreign policy, effectively closing itself off from the world. Foreigners were few and far between—so when Mizu (voiced by Maya Erskine) is born with blue eyes, nine months after her mother was assaulted by one of the four white men in the country, it marks her as an outsider, regarded as less than human. Years later, after being trained by a blind sword master and now masquerading as a man, Mizu hunts down those four men, knowing that killing them all is the only way to guarantee her vengeance. Exquisitely animated—which makes its unabashed violence all the more graphic—and with a phenomenal voice cast bolstered by the likes of George Takei, Brenda Song, Cary-Hiroyuki Tagawa, and Kenneth Branagh, Blue Eye Samurai is one of the best adults-only animated series on Netflix.

    Pending Train

    Netflix: License one of Japan’s best SF dramas in years. Also Netflix: Do nothing, literally nothing, to promote it, not even create an English subbed trailer. Which is where WIRED comes in—Pending Train is a show you (and Netflix) shouldn’t sleep on. When a train carriage is mysteriously transported into a post-apocalyptic future, the disparate passengers’ first concern is simply survival. Between exploring their new surroundings and clashing with people from another stranded train car over scarce resources, one group—including hairdresser Naoya, firefighter Yuto, and teacher Sae—begins to realize that there may be a reason they’ve been catapulted through time: a chance to go back and avert the disaster that ruined the world. A tense, 10-episode journey, Pending Train offers a Japanese twist on Lost, but one with tighter pacing and showrunners who actually have a clue where they want the story to go.

    One Piece

    Mark one up for persistence: After numerous anime adaptations ranging from “awful” to “not too bad,” Netflix finally strikes gold with its live-action take on the global phenomenon One Piece. Despite fans’ fears, this spectacularly captures the charm, optimism, and glorious weirdness of Eiichiro Oda’s beloved manga, manifesting a fantasy world where people brandish outlandish powers and hunt for a legendary treasure in an Age of Piracy almost verbatim from the page. The perfectly cast Iñaki Godoy stars as Monkey D. Luffy, would-be King of the Pirates, bringing an almost elastic innate physicality to the role that brilliantly matches the characters rubber-based stretching powers, while the crew Luffy gathers over this first season—including swordsmaster Roronoa Zoro (Mackenyu), navigator and skilled thief Nami (Emily Rudd), sharpshooter Usopp (Jacob Romero Gibson), and martial artist chef Sanji (Taz Skylar)—all brilliantly embody their characters. A lot could have gone wrong bringing One Piece to life, but this is a voyage well worth taking.

    The Chosen One

    Based on the comic American Jesus by writer Mark Millar (Kick-Ass, Kingsman) and artist Peter Gross (Lucifer), The Chosen One follows 12-year-old Jodie (Bobby Luhnow), raised in Mexico by his mother Sarah (Dianna Agron). While the young boy would rather hang out with his friends, his life—and potentially the world—changes forever when he starts exhibiting miraculous powers, attracting dangerous attention from sinister forces. While this could have been yet another formulaic entry in Netflix’s expansive library of supernatural teen dramas (the Stranger Things vibe is particularly strong), the decision to shoot on film and in a 4:3 aspect ratio make this a visual delight, unlike almost anything else on the streamer at present. There’s an English dub, but stick to the original Spanish with English subs for a better viewing experience. (Confusingly, there’s another show with the exact same title on Netflix, a 2019 Brazilian series following a trio of relief doctors in a village dominated by a cult leader—also worth a watch, but don’t get them confused!)

    Alice in Borderland

    When slacker Ryohei Arisu (Kento Yamazaki) is mysteriously transported to a deserted Tokyo, his keen gaming skills give him an edge navigating a series of lethal games that test intellect as much as physical prowess. Yet after barely scraping through several rounds, Arisu is no closer to uncovering the secrets of this strange borderland, or to finding a way home—and the stakes are about to get even higher. Not only are Arisu and his allies Usagi (Tao Tsuchiya), Kuina (Aya Asahina), and Chishiya (Nijiro Murakami) faced with another gauntlet of sadistic games, but they find themselves caught between rival card suit “courts” vying for power—and not everyone can be trusted.

    With its willingness to kill off main characters at a moment’s notice, the first season of this gripping adaptation of Haro Aso’s manga kept viewers on tenterhooks throughout. As the long-awaited second season leans further into its twisted Alice in Wonderland imagery, expect more shocking developments in this taut thriller.

    Russian Doll

    In Russian Doll, Nadia has one very big problem: Time keeps breaking around her. Season one finds Nadia—played by Natasha Lyonne, who is also a cocreator on the show—dying at her own birthday party, only to wake up there over and over again, trapped in a Groundhog Day-style loop until she can unravel her personalized knot in the space-time continuum. Things only get stranger in season two, where Nadia finds herself traveling back in time to 1982 and inhabiting the body of her own mother—currently heavily pregnant with Nadia herself. Both seasons are funny and thought-provoking, reflecting on personal and generational trauma, all without overegging the potential for philosophical musing.

    Lupin

    Arsène Lupin, the belle epoque burglar created by French novelist Maurice Leblanc in the early 1900s, is reinvented as Assane Diop, a first-generation Frenchman with a mania for Lupin books and a grudge against the powerful forces who decades ago framed his father for a theft he didn’t commit—and led him to die in prison. Pairing drones, social media bots, and hacking skills with traditional tools of the trade like fake beards, picklocks, and quick wits, Diop hunts down his adversaries as he searches for the truth about his father’s fate. In his spare time, Diop also tries to patch together a crumbling marriage and build a better rapport with his son. Worth watching in the French original, this five-episode series’ strength lies in the dialog, the character development, and the charismatic performance of Omar Sy as Assane. The actual escapades and daring heists are beautifully choreographed, but a lot of the mechanics—how a certain piece of legerdemain worked, when an impenetrable building was infiltrated—are left to the viewer’s imagination.



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  • Zoox robotaxi hands on: safe, but lagging

    Zoox robotaxi hands on: safe, but lagging


    I’m standing outside a nondescript corporate office park in Las Vegas next to a box-shaped vehicle with no proper front or back. It’s got a set of sliding doors, no steering wheel, and touchpad controls. It’s bidirectional, meaning it can move in either direction without turning around. And to be completely frank, it looks more like an oversized toaster than an actual car.

    This is the second-generation Zoox robotaxi, a purpose-built autonomous shuttle that has been testing in and around Las Vegas for the last year and a half. Zoox, a subsidiary of Amazon, has been working on it for over a decade, and during this year’s CES, it finally let a few journalists take a ride.

    So far, the only robotaxis operating on public roads in the US are run by Alphabet’s Waymo. Others have tried but tend to run out of money or get sidelined by traffic mishaps (or, in the case of Cruise, both). Unlike Waymo, Zoox isn’t open to the public. It hasn’t even said when it will be. And as Waymo eyes new cities and new partnerships, Zoox is still stuck in beta mode.

    But maybe it’s about to get unstuck. Inviting journalists to go for a ride is certainly a step toward a public launch.

    “We’ve just tried to stay really steady, grounded, and focused on our mission, no matter what else is going on,” Zoox cofounder and CTO Jesse Levinson said during the ride. “We can certainly learn from our fellow travelers. We can be inspired when they’re doing well, and we feel like, hey, you know, this is possible. We should catch up here. And then, you know, if they make some missteps, we can learn from that and we do.”

    A Zoox autonomous robotaxi in San Francisco, California, US, on Wednesday, Dec. 4, 2024. Amazon owned Zoox Inc. has started testing its electric robotaxis in San Francisco’s SoMa neighborhood. Photographer: David Paul Morris/Bloomberg via Getty Images

    A Zoox autonomous robotaxi in San Francisco, California, US, on Wednesday, Dec. 4, 2024. Amazon owned Zoox Inc. has started testing its electric robotaxis in San Francisco’s SoMa neighborhood. Photographer: David Paul Morris/Bloomberg via Getty Images
    Bloomberg via Getty Images

    More than 10 years and a billion dollars in investments later, Zoox is currently only available to employees and their families in San Francisco, Las Vegas, and Seattle, with more locations, including Austin and Miami, coming later this year. While most people still won’t be able to hail a Zoox anytime soon, the company will open an invite-only Zoox “Explorer” program soon, much like what Waymo did with its Early Riders.

    But aside from Waymo, the broader robotaxi project seems on the verge of faltering, with companies like Cruise and Argo AI shutting down after funding dried up. China is ramping up its own efforts, alarming legislators and tech workers alike. Tesla’s Elon Musk recently vowed to launch his own robotaxi operation in June, but doubts remain about his approach to safety.

    “We should catch up here. And then, you know, if they make some missteps, we can learn from that and we do.”

    Zoox still feels like it’s behind the curve. Its business model relies on building completely bespoke autonomous vehicles, which is enormously expensive, labor-intensive, and relatively fraught, thanks to various rules and regulations. There are some questions about the company’s self-certification process for its vehicles. And its test vehicles are under investigation by NHTSA after two motorcyclists were struck last year.

    To be sure, Zoox has its own fleet of retrofitted Toyota Highlander hybrids to test its software in places like San Francisco and Las Vegas. About 60 of the Highlander mules sat parked or idling in the nondescript warehouse in Las Vegas, alongside a handful of the company’s first-generation EVs in different states of disassembly.

    But the Highlanders are old news. Zoox is betting all its chips on purpose-built AVs. And whether people embrace these funny-looking toasters-on-wheels will depend a lot on how they feel on the road.

    The autonomous vehicles I’ve ridden in before have all had traditional controls or familiar steering wheel/brake pedal setups. They also had familiar car shapes and designs. Zoox doesn’t have any of these things.

    One of the technicians opens the sliding doors of the low-floored electric vehicle using an iPad. I step inside, along with Levinson and a Zoox PR rep. The interior is spacious, resembling more the interior of a bus or a subway.

    The seats are firm and covered in a woven industrial material for easy cleaning should anyone get sick or spill something. Levinson tells me that they recently updated the seats to be more comfortable based on feedback from the employees who’ve been testing them. Because the seats are facing each other, there’s not a ton of visibility out either end of the vehicle. If you easily get carsick, sitting backward may be a bad idea.

    The sliding side doors offer a decent view of what’s happening off to the side of the vehicle, though the seats come up above shoulder height, blocking your direct view. There are custom airbags hidden throughout the vehicle in case of a crash, and of course, seatbelts.

    Levinson and I sit next to each other while the PR rep sits across, and there’s enough space between us to cross one’s legs without bumping into anyone. We buckle up and start the ride by using one of the tablets near the door. These are the only controls in the vehicle: riders can control the temperature, ask the vehicle to pull over, check the duration of the ride, and control the audio. Presumably some of these functions will also be controllable through the app.

    Zoox autonomous robotaxis in San Francisco, California, US, on Wednesday, Dec. 4, 2024. Amazon owned Zoox Inc. has started testing its electric robotaxis in San Francisco’s SoMa neighborhood. Photographer: David Paul Morris/Bloomberg via Getty Images

    Zoox autonomous robotaxis in San Francisco, California, US, on Wednesday, Dec. 4, 2024. Amazon owned Zoox Inc. has started testing its electric robotaxis in San Francisco’s SoMa neighborhood. Photographer: David Paul Morris/Bloomberg via Getty Images
    Bloomberg via Getty Images

    The route we take is a pre-determined 30-minute loop to the very edge of the Las Vegas Strip and back. It’s all local roads, no freeways, with speed limits around 45 mph. As we wind past restaurants and strip malls, we encounter construction zones, pedestrians, and other normalcies.

    The first challenge comes when we arrive at a construction site with a closed right lane ahead of an intersection. While the robotaxi navigates it fine, it still feels inorganic and slightly robotic. Instead of merging before coming to the lane closure like a human driver would, the Zoox drives right up to the sign blocking the lane, comes to a full stop, signals, and waits for a relatively large gap in the traffic to merge left. It takes a full minute before traffic lets up enough that the robotaxi feels confident enough to safely move over.

    Later, we encounter a pedestrian waiting to cross with the light. No issues here: the Zoox waits patiently while the person crosses, and after the light changes, away we go.

    If you easily get carsick, sitting backward may be a bad idea.

    Beyond those two real-world challenges, the ride is largely uneventful, with the exception of some random and rather sudden jerky braking at the last minute when it comes to a light or a stop sign. Overall, the experience feels safe but less fully realized than a Waymo ride.

    While the company says that it’s made some upgrades to things like suspension, brakes, and the electric drive units, the ride is still a bit rough, and the braking occasionally feels abrupt. With the wheels at the outer corners of the vehicle, and the body so low to the ground, rough roads (like the construction zone) and potholes are felt acutely. And since the seats have minimal padding, those undulations travel directly through your seat and into your body. That could be a problem for folks more attuned to the high-riding comfort of most modern SUVs.

    Overall, the robotaxi did well, but it’s important to note that this wasn’t the first time that Zoox had driven the same route — nor was it the second or third time. There had already been at least 10 other journalists who had done the same route, not counting all the times Zoox ran the trip before inviting us aboard. Experts believe that the ability to route dynamically, without any pre-planning, is one of the most important tests of a driverless taxi service. With that in mind, Zoox still has a lot to prove.

    And then there are those, for lack of a better term, pucker moments: when you cringe or brace because the autonomous vehicle is about to do something stupid. While there were a few unexpected braking moments along the way, and strangely conservative lane choices, the Zoox robotaxi never behaved in a way that made me feel unsafe.

    Zoox is taking the slow and steady route to autonomy, while keeping a handle on its own design and proprietary software. Making the leap from a few test vehicles to wider success in places that aren’t always sunny with clear skies and moderate temperatures year-round is still a long way off for any robotaxi company. But Zoox thinks it has the winning formula.

    “This experience that we’re having in this vehicle, there’s nothing like it now,” Levinson contends. “You can’t get that in a retrofitted car. You can’t get that in a Cybercab… We think we’re onto something.”



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  • Tesla’s Dojo, a timeline | TechCrunch

    Tesla’s Dojo, a timeline | TechCrunch


    Elon Musk doesn’t want Tesla to be just an automaker. He wants Tesla to be an AI company, one that’s figured out how to make cars drive themselves. 

    Crucial to that mission is Dojo, Tesla’s custom-built supercomputer designed to train its Full Self-Driving (FSD) neural networks. FSD isn’t actually fully self-driving; it can perform some automated driving tasks, but still requires an attentive human behind the wheel. But Tesla thinks with more data, more compute power and more training, it can cross the threshold from almost self-driving to full self-driving. 

    And that’s where Dojo comes in. 

    Musk has been teasing Dojo for some time, but the executive ramped up discussions about the supercomputer throughout 2024. Now that we’re in 2025, another supercomputer called Cortex has entered the chat, but Dojo’s importance to Tesla might still be existential — with EV sales slumping, investors want assurances that Tesla can achieve autonomy. Below is a timeline of Dojo mentions and promises. 

    2019

    First mentions of Dojo

    April 22 – At Tesla’s Autonomy Day, the automaker had its AI team onstage to talk about Autopilot and Full Self-Driving, and the AI powering them both. The company shares information about Tesla’s custom-built chips that are designed specifically for neural networks and self-driving cars. 

    During the event, Musk teases Dojo, revealing that it’s a supercomputer for training AI. He also notes that all Tesla cars being produced at the time would have all hardware necessary for full self-driving and only needed a software update.

    2020 

    Musk begins the Dojo roadshow

    Feb 2 – Musk says Tesla will soon have more than a million connected vehicles worldwide with sensors and compute needed for full self-driving — and touts Dojo’s capabilities. 

    “Dojo, our training supercomputer, will be able to process vast amounts of video training data & efficiently run hyperspace arrays with a vast number of parameters, plenty of memory & ultra-high bandwidth between cores. More on this later.”

    August 14 Musk reiterates Tesla’s plan to develop a neural network training computer called Dojo “to process truly vast amounts of video data,” calling it “a beast.” He also says the first version of Dojo is “about a year away,” which would put its launch date somewhere around August 2021.

    December 31 Elon says Dojo isn’t needed, but it will make self-driving better. “It isn’t enough to be safer than human drivers, Autopilot ultimately needs to be more than 10 times safer than human drivers.”

    2021

    Tesla makes Dojo official

    August 19 – The automaker officially announces Dojo at Tesla’s first AI Day, an event meant to attract engineers to Tesla’s AI team. Tesla also introduces its D1 chip, which the automaker says it will use — alongside Nvidia’s GPU — to power the Dojo supercomputer. Tesla notes its AI cluster will house 3,000 D1 chips. 

    October 12 – Tesla releases a Dojo Technology whitepaper, “a guide to Tesla’s configurable floating point formats & arithmetic.” The whitepaper outlines a technical standard for a new type of binary floating-point arithmetic that’s used in deep learning neural networks and can be implemented “entirely in software, entirely in hardware, or in any combination of software and hardware.”

    2022

    Tesla reveals Dojo progress

    August 12 – Musk says Tesla will “phase in Dojo. Won’t need to buy as many incremental GPUs next year.”

    September 30 – At Tesla’s second AI Day, the company reveals that it has installed the first Dojo cabinet, testing 2.2 megawatts of load testing. Tesla says it was building one tile per day (which is made up of 25 D1 chips). Tesla demos Dojo onstage running a Stable Diffusion model to create an AI-generated image of a “Cybertruck on Mars.”

    Importantly, the company sets a target date of a full Exapod cluster to be completed by Q1 2023, and says it plans to build a total of seven Exapods in Palo Alto. 

    2023

    A ‘long-shot bet

    April 19 – Musk tells investors during Tesla’s first-quarter earnings that Dojo “has the potential for an order of magnitude improvement in the cost of training,” and also “has the potential to become a sellable service that we would offer to other companies in the same way that Amazon Web Services offers web services.”

    Musk also notes that he’d “look at Dojo as kind of a long-shot bet,” but a “bet worth making.”

    June 21 The Tesla AI X account posts that the company’s neural networks are already in customer vehicles. The thread includes a graph with a timeline of Tesla’s current and projected compute power, which places the start of Dojo production at July 2023, although it’s not clear if this refers to the D1 chips or the supercomputer itself. Musk says that same day that Dojo was already online and running tasks at Tesla data centers. 

    The company also projects that Tesla’s compute will be the top five in the entire world by around February 2024 (there are no indications this was successful) and that Tesla would reach 100 exaflops by October 2024.

    July 19 – Tesla notes in its second-quarter earnings report it has started production of Dojo. Musk also says Tesla plans to spend more than $1 billion on Dojo through 2024.  

    September 6 – Musk posts on X that Tesla is limited by AI training compute, but that Nvidia and Dojo will fix that. He says managing the data from the roughly 160 billion frames of video Tesla gets from its cars per day is extremely difficult. 

    2024

    Plans to scale

    January 24 – During Tesla’s fourth-quarter and full-year earnings call, Musk acknowledges again that Dojo is a high-risk, high-reward project. He also says that Tesla was pursuing “the dual path of Nvidia and Dojo,” that “Dojo is working” and is “doing training jobs.” He notes Tesla is scaling it up and has “plans for Dojo 1.5, Dojo 2, Dojo 3 and whatnot.”

    January 26 – Tesla announced plans to spend $500 million to build a Dojo supercomputer in Buffalo. Musk then downplays the investment somewhat, posting on X that while $500 million is a large sum, it’s “only equivalent to a 10k H100 system from Nvidia. Tesla will spend more than that on Nvidia hardware this year. The table stakes for being competitive in AI are at least several billion dollars per year at this point.”

    April 30 – At TSMC’s North American Technology Symposium, the company says Dojo’s next-generation training tile — the D2, which puts the entire Dojo tile onto a single silicon wafer, rather than connecting 25 chips to make one tile — is already in production, according to IEEE Spectrum. 

    May 20 – Musk notes that the rear portion of the Giga Texas factory extension will include the construction of “a super dense, water-cooled supercomputer cluster.”

    June 4 – A CNBC report reveals Musk diverted thousands of Nvidia chips reserved for Tesla to X and xAI. After initially saying the report was false, Musk posts on X that Tesla didn’t have a location to send the Nvidia chips to turn them on, due to the continued construction on the south extension of Giga Texas, “so they would have just sat in a warehouse.” He noted the extension will “house 50k H100s for FSD training.”   

    He also posts

    “Of the roughly $10B in AI-related expenditures I said Tesla would make this year, about half is internal, primarily the Tesla-designed AI inference computer and sensors present in all of our cars, plus Dojo. For building the AI training superclusters, NVidia hardware is about 2/3 of the cost. My current best guess for Nvidia purchases by Tesla are $3B to $4B this year.”

    July 1 – Musk reveals on X that current Tesla vehicles may not have the right hardware for the company’s next-gen AI model. He says that the roughly 5x increase in parameter count with the next-gen AI “is very difficult to achieve without upgrading the vehicle inference computer.”

    Nvidia supply challenges

    July 23 – During Tesla’s second-quarter earnings call, Musk says demand for Nvidia hardware is “so high that it’s often difficult to get the GPUs.” 

    “I think this therefore requires that we put a lot more effort on Dojo in order to ensure that we’ve got the training capability that we need,” Musk says. “And we do see a path to being competitive with Nvidia with Dojo.”

    A graph in Tesla’s investor deck predicts that Tesla AI training capacity will ramp to roughly 90,000 H100 equivalent GPUs by the end of 2024, up from around 40,000 in June. Later that day on X, Musk posts that Dojo 1 will have “roughly 8k H100-equivalent of training online by end of year.” He also posts photos of the supercomputer, which appears to use the same fridge-like stainless steel exterior as Tesla’s Cybertrucks. 

    From Dojo to Cortex

    July 30 –  AI5 is ~18 months away from high-volume production, Musk says in a reply to a post from someone claiming to start a club of “Tesla HW4/AI4 owners angry about getting left behind when AI5 comes out.” 

    August 3 – Musk posts on X that he did a walkthrough of “the Tesla supercompute cluster at Giga Texas (aka Cortex).” He notes that it would be made roughly of 100,000 H100/H200 Nvidia GPUs with “massive storage for video training of FSD & Optimus.”

    August 26 – Musk posts on X a video of Cortex, which he refers to as “the giant new AI training supercluster being built at Tesla HQ in Austin to solve real-world AI.” 

    2025

    No updates on Dojo in 2025

    January 29 – Tesla’s Q4 and full-year 2024 earnings call included no mention of Dojo. Cortex, Tesla’s new AI training supercluster at the Austin gigafactory, did make an appearance, however. Tesla noted in its shareholder deck that it completed the deployment of Cortex, which is made up of roughly 50,000 H100 Nvidia GPUs. 

    “Cortex helped enable V13 of FSD (Supervised), which boasts major improvements in safety and comfort thanks to 4.2x increase in data, higher resolution video inputs … among other enhancements,” according to the letter. 

    During the call, CFO Vaibhav Taneja noted that Tesla accelerated the buildout of Cortex to speed up the rollout of FSD V13. He said that accumulated AI-related capital expenditures, including infrastructure, “so far has been approximately $5 billion.” In 2025, Taneja said he expects capex to be flat as it relates to AI.

    This story originally published August 10, 2024, and we will update it as new information develops.





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