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Tag: Audio / Video
Why TV speakers suck and is Panasonic leaving the US again? | You Asked
On today’s You Asked: Why do TV speakers suck — and why even bother putting speakers in TVs? Why don’t TVs get five HDMI ports? Will Panasonic abandon the US again, and should you even buy one of their TVs?
Why do TV speakers suck? (Can we axe them?)
Zeke Jones / Digital Trends Mike writes: Why on earth, in 2025, do TVs still insist on wasting space with built-in, inadequate speakers? I can understand lower budget/entry-level TVs, but if people are spending $2,000+, are they likely using an AVR or soundbar? I’d think the added real estate and the cost savings would entice the TV makers to drop the speakers in their higher-end TVs. Plus, they could push their own brand of crappy soundbars. Thanks!
First off, not all soundbars are crappy. However, I do understand your point. To address this whole speakers-in-TVs issue, let’s talk about TV tuners.
Did you know that in 2016 and 2017 TV brand Vizio removed over-the-air tuners from its M series and P series TVs? This move meant they weren’t allowed to call them “TVs.” In the US, the FCC (Federal Communications Commission) requires that to be called a television, a display must have an over-the-air tuner. Vizio had to market them as monitors or home theater displays.
Vizio may have thought at the time, Everything is going to streaming now and many of our customers will likely never use a tuner, and besides, you can stream a lot of live TV now, too. Soon, folks won’t even need an antenna, so why not stand out by going in a new direction and omit the tuner?
Dan Baker / Digital Trends If this was Vizio’s thinking at the time, it seems a bit like an Apple move, right? Apple is all: We’re removing the headphone jack from our phones because who uses wired headphones anymore? Everything’s going wireless. We have to be bold. We have to have the “courage” to do this.
Except Vizio wasn’t Apple, and the consumer reaction to the tuner being removed was not warmly received (which is an understatement). Vizio ended up walking back that decision. Some could argue that was the beginning of the brand’s decline from a once strong market position. The lesson here: Don’t make Apple moves unless you have Apple money and Apple power.
Some of us can’t imagine having a high performance or high-end expensive TV without a similarly premium audio system to go with it — we see the speakers built into the TV as completely unnecessary. However, a reminder: Folks who feel this way are very much in the minority. TV manufacturers actually pay attention to feedback from their customers, especially when that feedback indicates that a decision resulted in lost revenue. They likely know that if they did not include speakers in their TVs, the backlash would be uproarious, and companies can’t afford that kind of negative PR. The Vizio situation is likely regarded as a stark example of “what not to do.”
Beyond that, there’s not much to be gained by not putting speakers in a TV. It wouldn’t lower costs significantly or make the TV noticeably slimmer. There’s really no upside. Omitting speakers is a high-risk gamble that would not pay meaningful dividends.
If a TV brand had the same amount of market-shifting power and control as Apple, I suppose they could force people to get supplemental audio systems. Yet, even if they had that kind of power (and they wouldn’t), it’s the kind of bold move that could sink a brand. So, I don’t see it happening anytime soon.
Which brings us to the question: Why do TV speakers tend to suck? TV manufacturers may have to put speakers in a TV, but that doesn’t mean they are motivated to make them great. The speakers need to be just good enough to not piss people off. There’s a big difference between not having something at all and having something that is disappointing but ancillary to the primary function of the device: the picture.
Also, consumer obsession over increasingly thin TVs forced manufacturers to come up with audio solutions that fit in very little space. However, transducers by their very nature need some space to sound good. It also helps if they are firing at your ears, as opposed to down at the floor. As manufacturers put weaker and weaker audio systems in their TVs that continued to sell well, they learned that customers would accept paltry audio systems if the TV on the whole was good enough.
There are some exceptions to this rule. Some extremely high-end TVs from Hisense, TCL, Sony, and Panasonic include premium audio systems. Sometimes that effort works well, and sometimes it doesn’t.
Zeke Jones / Digital Trends A good audio system does add some cost and complexity to a TV, and in some cases it can even be a bit of a gamble — specifically, the Panasonic Z95A, which basically has a built-in soundbar strip at the bottom of the TV. It sounds great, but some folks don’t love how it looks. It reminds me of when Sony built speaker strips onto the left and right side of some TV models. It sounded pretty good, but folks disliked the look, and Sony swiftly discontinued the practice.
There isn’t a lot of motivation to outfit a television with a premium audio solution, but there’s also a lot of risk involved in not including one at all. It makes sense to take that good-enough approach and leave it at that.
More HDMI ports, please
Zeke Jones / Digital Trends Dionicio writes: With the high number of devices we’re able to connect to our TVs, is there any reason why TV manufacturers do not simply add a fifth HDMI port?
This is a really interesting question. As part of my answer, I remind folks that, as enthusiasts, we may assume our personal needs or wants are similar to those of the greater public. However, that’s just not the case.
Anecdotally, I can tell you that many folks don’t connect anything to their TVs — other than a soundbar, perhaps. The surge in streaming popularity and the convenience of built-in streaming platforms makes it easy to buy a TV and not require another device. Cable and satellite subscribers are dwindling at a faster rate than ever, so those cable and satellite boxes are taking up fewer HDMI ports on TVs. Also, disc players and disc sales are on a steep decline (much to my chagrin).
Digital Trends Game consoles are super popular, and most households have just one — and not two, three, or four. Increasingly, more people need just a single HDMI port and a huge chunk of the public don’t even use the three or four HDMI ports they have.
This is why we don’t see more TVs from brands like Sony, Panasonic, TCL, and Hisense including four HDMI 2.1 ports – the need doesn’t exist at a high enough scale for companies like MediaTek, which makes the System on Chip (SoC) that brands use in their TVs.From a business decision perspective, I think we’re more likely to see four HDMI 2.1 ports from MediaTek before we see five HDMI ports. Also, this would require a complete redesign of the existing boards to accommodate the space, and that one decision would set off a flurry of TV redesigns. Even small changes at scale take a lot of work.
As enthusiasts, it’s easy to assume everyone else feels similarly and has the same needs and wants as we do. In the same way that most folks don’t even want a desktop computer — let alone one with a $2,000 graphics card — most folks don’t require five HDMI ports. So, we’re forced to use A/V receivers or external HDMI switchers to fill our niche needs. (I like that, though. It costs a bit of money, but that’s what this hobby requires.)
Take a pause on Panasonic?
Digital Trends Patrick writes: I’m still really considering the Z95B. Does the recent news about Panasonic necessarily make this one to avoid? Would FireTV updates come from Amazon?
As many TV enthusiasts already know, there is some worry that Panasonic could end up selling off its TV division in about a year or so. This comes from Panasonic Holdings Company President Yuki Kusumi, who made that statement during an online press conference on February 4. Naturally, with the future of Panasonic’s TV business in question, some are wondering whether it is smart to buy a Panasonic TV.
My answer: Yes, I think it is safe to buy a Panasonic TV, and for two reasons — one is practically and analytically based and one is more personal (and optimistic). However, I obviously don’t have a crystal ball, so don’t come at me if you buy a Panasonic TV and then Panasonic exits the US market in a year.
Zeke Jones / Digital Trends Not only do we lack a crystal ball, we don’t have adequate insight into the motivation behind Kusumi’s statement. It is possible he needs it known that he is a smart, practical businessman who is looking at all options that will help ensure the long-term health of Panasonic’s business holdings, which, by the way, are vast. Simply acknowledging that something is under consideration can give shareholders enough confidence to prevent them from bailing out, further threatening the company’s financial viability.
There’s no guarantee that a sale is inevitable, and I don’t think we have enough information to read this as “Panasonic TV is on the ropes.” At least I hope not.
I do think that Panasonic’s re-entry into the US market is a sign that the brand believes that if it is successful at regaining part of the US TV market share, it will help strengthen its TV division overall. Given how much it took to make that happen, I take it as a sign that there’s more optimism than pessimism around their TV business right now.
One way to help ensure Panasonic’s TVs continue being true Panasonic TVs — and not just another brand licensed out to some other manufacturer — is to buy Panasonic TVs. They are excellent TVs. I think it is safe to purchase one even if Panasonic sells off its TV division, and, in a possible worst-case scenario, stops sending out firmware updates. The TVs are good enough that they won’t need a ton of firmware updates, and any updates to streaming apps will be on the Amazon side. The TV should still be viable for many years.
Zeke Jones / Digital Trends If we still have die-hard fans of Pioneer Kuro and Panasonic plasmas out there happily rocking their TVs, a Panasonic TV purchased today is going to hold up well — at least as well as, if not better than, most TVs produced today. The replacement cycle of TVs is now much shorter than it used to be, but relative to that replacement cycle, I think a Panasonic TV purchase now is as safe as it gets.
On a personal note, I hope that Panasonic’s TV business can stay healthy and see consistent growth in the US market. Competition in this space is a good thing for consumers. On a more practical note, I don’t think we have enough information to be forecasting doom and gloom for Panasonic TVs — not yet, anyway. We’re seeing the kind of headlines that get clicks — and there’s some merit to the concern — but I think it’s far too early to be forecasting demise.
That statement may not age well. I could be wrong. But right now, the way things are going in this world? I am choosing optimism and hard work over pessimism and surrender.
The best turntables of 2025: Tested and reviewed by our tech experts
I don’t know if you’ve noticed, but being the vinyl and turntable nerd that I am, I can’t stop seeing and (to my wife’s chagrin) pointing out every record player I see cropping up in seemingly every TV show or movie I’ve watched over the last little while. They’re everywhere — from Mr. Milchick rewarding Helly R. with a dance party from a Thorens-like deck in Severance to Agatha All Along trashing a perfectly good TEAC TN-280BT — it’s official: turntables are cool again, and you should get one.
Whether you’re rediscovering the satisfying ritual of putting on a record, are new to the world of vinyl, or you’re already neck-deep in LPs, having a decent turntable or record player is essential. But there are so many to choose from that it can get confusing. Many come ready to go out of the box, with built-in phono preamps for easy connection to powered speakers or receivers and integrated amplifiers, and a range of features that make them easy to get the hang of. If you’re curious and want to dip your toes in slowly, one of our favorite entry-level turntables is the Audio-Technica AT-LP70X, a budget-priced basic deck that looks great, too.
But if you’ve already taken a few spins around the vinyl world and are looking to upgrade or get into something a little more advanced, like one with a better phono cartridge, external phono preamps, higher-quality tonearms, and anti-resonant components that can make for a beautifully clear and sonic experience, we’ve checked out a bunch and also put them on our list of the best turntables.
The best turntable we can recommend right now is the U-Turn Audio Orbit Special (Gen 2), which has been given a nice little refresh and upgrade since it launched in 2012. Its top-notch Ortofon cartridge and solid acrylic platter help ensure dynamic and clear sound, while its updated speed select switch make it a breeze to use. We also still love the stalwart Pro-Ject Debut Carbon Evo, so check that out, too.
But we’ve got several other turntables on our list to help you decide, and once you do, why not check out our roundup of the best turntable accessories, too. Let’s go.
Derek Malcolm / Digital Trends
Best turntable overall
U-Turn Orbit Special (Gen 2)
Pros
- Excellent sound
- Dynamic Ortofon 2M Red cartridge
- New speed selection dial
- Solid acrylic platter
- Optional built-in preamp
- Seven finishes
Specification: Motor Belt drive Built-in preamp Yes, optional Wi-Fi No Cartridge Ortofon 2M Red, upgradable The original U-Turn Orbit Special was a really good turntable. I bought one in 2018, and it was one of my daily-use decks for years — it had an Ortofon 2M Red cartridge, a solid acrylic platter, and no-nonsense, simple belt-driven operation. But in 2023, U-Turn gave its entire Orbit lineup an update, and when I got my hands on the Gen 2 Special for review, all my gripes had been obliterated, landing it at the top of my list of favorite turntables.
The Gen 2 Orbit Special is still as reliable as ever, but the Woburn, Massachusetts company has made some key upgrades that make it a no-brainer for a mid-range turntable. Chief among them is a redesigned, quieter motor and a new tonearm that’s now a single pice of molded magnesium that reduces resonance and vibration transfer when compared to the first gen’s aluminum version. Additionally, the acrylic platter now has a machined groove around its edge to keep the belt in place (the old model used to fall off constantly), and there’s now an automatic speed selection dial — no more manual belt switching!
Assembly and setup is still simple (takes about 10 minutes out of the box), and while I would have liked to see the numbered counterweight dial like on U-Turn’s premium Orbit Theory make its way to the Special, adjusting it is still easy. However, I’d still recommend using a force scale gauge for simplicity.
Once it’s up and running, though, the U-Turn Orbit Special is a dream to use and punches above its weight when it comes to sound, which, thanks to the 2M Red, is crystal clear, balanced across the frequency range, and has depth and height favorable to all kinds of music. If you want to improve things even more, the Ortofon cartridge can be upgraded to the more premium 2M Blue, and you can get the turntable with or without a built-in phono preamp.
The second-gen Special is available in black, white, red, blue, and green, as well as in real oak or walnut finishes for an extra $170, but damn they look sharp.
U-Turn Orbit Special (Gen 2)
Best turntable overall
Audio-Technica
Best budget turntable
Audio-Technica AT-LP70X
Pros
- Great-sounding turntable
- Excellent quality for the price
- Upgradable, replaceable stylus
- Fully automatic operation
- Easy to set up and use
Cons
- Made of plastic
- Aluminum platter
- Nonadjustable feet
Specification: Motor Belt drive Built-in preamp Yes Wi-Fi Available Cartridge Audio-Technica AT-VM95C, upgradable stylus Operation Fully automatic Many a vinyl beginner has turned to Audio-Technica for their first turntables because the well-established company (they also make world-class headphones and microphones) produces reliable, easy to use, and affordable turntables for pretty much every level and budget.
At one time, the AT-LP60X sat in this sport as my pick for the best budget turntable, and to be clear, I still recommend it as another fantastic beginner turntable at just $150. But last year, Audio-Technica introduced the AT-LP70X, a slight evolution of the LP60X, and even though it’s slightly more expensive, it replaced my pick mainly for a few important reasons, but one main one.
First, the LP70X keeps all the great bones of the LP60X — easy automatic operation with push-button start and stop, built-in switchable phono preamp for multiple connection options no matter what your sound system is (powered speakers or full amp and speaker combos), and even a Bluetooth-capable model should you want it.
But where the extra money is well worth it is with the AT-LP70X’s newly designed AT-VM95C Integral Moving Magnet phono cartridge, which is not only a step-up in sound quality, soundstage, and dynamics from that of the LP60X, but A-T also created a whole new series of VM95 interchangeable styli that allow you to upgrade them as your vinyl-listening ear develops and you want more from your turntable.
For $200, the AT-LP70X offers great value and excellent performance, and could now potentially be the only turntable you’ll ever need, even if you graduate from beginner vinyl nerd status.
Audio-Technica AT-LP70X
Best budget turntable
Pro-Ject
The best mid-range turntable
Pro-Ject Debut Carbon Evo
Pros
- Warm, defined sound
- high-quality components for the money
- No more manual speed change
- Available in nine finishes
Specification: Motor Belt drive Built-in preamp No Wi-Fi No Cartridge Sumiko Rainier, upgradable If you’re just starting your turntable hunting you’ve likely already come across the Pro-Ject brand (heck, we mention two of them in our intro). The stalwart company is up there with Rega as a standout in the industry, its decorated Debut Carbon lineup has helped keep it there for more than a decade. Its latest version, the Debut Carbon Evo, doesn’t falter either, proving that you don’t need to spend a grand or more for high-end features.
Pro-Ject’s best-selling turntable model got a few key upgrades in this latest version that have put it over the top, including a redesigned motor with improved suspension, new height-adjustable sound-dampening aluminum feet, and a heavier 3.7-pound, steel platter with a thermoplastic dampening ring that Pro-Ject says reduces wow and flutter (tiny distortions that can be caused by vibrations and other factors). While I haven’t thoroughly reviewed this model myself, I’ve spent some time with it and can vouch for at least some of the sound quality and usability features that have garnered the many positive reviews it’s gotten over the years.
The best upgrade, though, is the addition of a new three-speed selector switch that has been discretely mounted on the underside of the plinth. Previously, you’d have to remove the platter to physically move the rubber belt underneath to switch between 33 and 45 RMP records. The new switch is a godsend, and also offers 78 RPM as well.
You also get the Evo’s single-piece carbon fiber tonearm, which looks cool and contributes to the turntable’s rich, balanced, and quiet sound, but not quite as much as its excellent, re-mounted Sumiko Rainier moving magnet (MM) cartridge, which is punchy, balanced, and full-bodied (like a good beer, I guess). Outside the U.S., the Evo comes with the also-great Ortofon 2M Red installed, but, if you’re at the stage where you’re experimenting with cartridges, you can easily swap them; it’s not hard.
The only obvious thing that the Pro-Ject Debut Carbon Evo doesn’t come with is a built-in phono preamp, so you will have to get one (unless you have one already). I really like the Schiit Mani 2 phono preamp, I have two of them and they sound great. You might think is a deal breaker, but I would argue that if you’re looking to up your entry-level game with a Carbon Evo, a good external phono preamp will be better than most built-ins if you can stomach the extra few hundred dollars.
The Debut Carbon Evo comes with a semi-balanced RCA cable and is available in nine colors and finishes.
Pro-Ject Debut Carbon Evo
The best mid-range turntable
Derek Malcolm/Digital Trends
Best features-for-price turntable
Fluance RT85N
Pros
- Full sound that stays true to the source
- Outstanding Nagaoka MP-110 cartridge
- Solid, anti-resonant build quality
- Fuss-free RPM speed control dial
- Automatic stop feature
Cons
- No built-in phono preamp
- No Bluetooth or USB connectivity
- Glossy finish prone to fingerprints
Specification: Motor Belt drive Built-in preamp Yes Wi-Fi No Cartridge Nagaoka MP-110, upgradable The midrange Fluance RT85N blew us away when I reviewed it last year for its more than reasonable $500 price, superb Nagaoka MP-110 cartridge, quality components, and rock-solid build, which, in my opinion, puts it neck-and-neck with the Pro-Ject Debut Evo as an even more affordable option that will do the job just as well.
The star of the RT85N is Nagaoka MP-110, which on its own is a $150 cartridge, but its sound is well regarded as being balanced, and forgiving of a wide range of music styles (it really likes older vinyl, too), with excellent separation between the lows, mids, and high frequencies. In my review, I said of the MP-110 that “vocals sound natural across the board, while the highs stay sharp and clean with a marked reduction in sibilance when compared to cheaper cartridges.” All that and, if you wanted to, you could easily switch out the MP-110 for another cartridge of your choosing, making the RT85N upgradeable and future-proof.
Helping that Nagaoka cartridge do its thing is all the anti-resonance happening in the RT85N. The thing is a beast at 17.7 pounds, much of that accounted for in its solid MDF plinth. A 0.62-inch (16mm) thick, high-density clear acrylic platter also helps dampen vibrations, along with its aluminum S-shaped tonearm, and adjustable rubber isolation feet, making the RT85N “one of the quietest, most stable turntables I’ve tested,” my review says.
There’s no Bluetooth or USB connectivity here, and like the Debut Evo, the RT85N does not have a built-in preamp, but they tend to not sound great anyway, so if you’re moving up from a budget or entry-level deck, you’re probably better off exploring the word of phono preamps now anyway. The RT85N also has a handy auto-stop feature for those who like to putter around the house while listening to records — it automatically stops at the end of the record, which also saves wear and tear on the stylus.
Setting up the RTN85 is pretty easy, too. Everything you need is in the box, and the instructions are clear. Setup should only take you about 10 or 15 minutes, but in case you’re expecting to plug it in and go, there is a higher level of precision required with turntables compared to cheaper decks — it’s not a bad thing for you to learn how to attach a headshell and balance a tonearm, and the sweet sounds you’ll get will make it all worth it.
Fluance RT85N
Best features-for-price turntable
Derek Malcolm/Digital Trends
Best turnable around $1,000
U-Turn Orbit Theory
Pros
- Ortofon 2M Blue or Bronze cartridge
- New antiresonant tonearm design
- Easy to set up
- Electronic speed switch dial
- Built-in preamp option
- Fantastic sound for price
Cons
- Only two finish options
- No auto stop
Specification: Motor Belt drive Built-in preamp Yes, optional Wi-Fi No Cartridge Ortofon 2M Blue or Bronze, upgradeable As a long-time owner and fan of the original U-Turn Orbit Custom, when I finally got my hands on the Woburn, Massachusetts company’s first foray into the premium turntable realm, I was pretty excited. I’ve always liked U-Turn’s scrappy spirit and that it offers high-quality turntables that are a little different than the big players for a reasonable price. The Orbit Theory is easily U-Turn’s best turntable yet, and a fantastic next step for vinyl enthusiasts ready to jump up out of the mid-range.
The rethought Orbit Theory is a strikingly beautiful, hardwood-based turntable that comes in walnut and a new black Ebonized Oak finish. But it’s not just easy on the eyes. Building off of the 10-year lineage of the Orbit brand, the upgrades are substantial, including a newly developed molded magnesium tonearm that combines the headshell, arm tube, and pivot housing in one to reduce resonance. The belt drive system is all-new as well. It’s more powerful, has a new silicone belt that runs in a machined groove around the side of the platter, and it gets up to speed faster. Plus, I can confirm that it’s virtually silent. And, my favorite part is that U-Turn has finally added a speed switch — no more manual belt changing between 33 and 45 RMP. A set of three anti-resonant and height-adjustable feet are also new to the Theory, further solidifying its quiet properties.
But where we start getting into the real premium territory with the Orbit Theory is with its choice of two excellent cartridges from world-class cartridge makers, Ortofon: the 2M Blue (which comes with the base-model Theory at $999) and the even better 2M Bronze that adds $180 to the price. Either way, you’re laughing with how good these cartridges are — they consistently produce big, brilliant, and stable sound that is forgiving for all kinds of music and you can’t go wrong with either. If you do go for the Bronze, you add even more opportunity to upgrade further, as the Bronze’s cartridge is compatible with two of Ortofon’s best styluses, the Black ($575) and Black LVB ($800), pushing you into audiophile territory, should you like.
In true U-Turn fashion, the Orbit Theory is customizable and ranges from $999 with the 2M Blue and without a built-in preamp to the top-of-the-line at $1,249 with the preamp and the 2M Bronze. Whichever way you configure it, the Orbit Theory is an excellent turntable, worthy of our Editor’s Choice pick.
U-Turn Orbit Theory
Best turnable around $1,000
Rega
Best audiophile turntable
Rega Planar 3
Pros
- Uncompromising quality
- Best-in-class tonearm
- Choice of two high-quality cartridges
- Bright, full, detailed sound
Cons
- Can get expensive
- Only available in three colors
Specification: Motor Belt drive Built-in preamp No Wi-Fi No Cartridge Elys 2 MM or Ortofon 2M Blue, or no cartridge Many turntable nerds count the Rega Planar 3 as the pinnacle, their Holy Grail turntable; the one they’d get if they found a wad of cash in the couch cushions. And they wouldn’t be wrong. The Rega name is often the first that comes to mind when you think of audiophile turntables and gear (the Planar 3, while excellent, is actually their mid-range), and the Planar 3 is arguably their most popular, for its reachable price and legendary quality.
With 40 years under its belt, the Planar 3’s lightweight, anti-resonant plinth was the mold for many modern turntables that have come after (including several on this list). It’s, of course, come a long way since then, having undergone several iterations and upgrades, and it’s this design expertise that few can compete with. The current Planar 3 features the latest version of their iconic RB330 tonearm that offers amazing balance, stability, and industry-leading anti-resonance. It’s a belt-driven turntable, of course, with a new 24-volt low-vibration motor that’s nearly silent and that drives the Planar 3’s eye-catching glass platter.
While there is no built-in preamp (turntables at this level rarely have them) and no speed selector switch, when coupled with the Rega Neo power supply, you can bypass the finicky manual belt switching and get precise 33 or 45 RMP speed control with a button push.
The Planar 3 comes in a few different configurations, including on its own without a cartridge that runs around $1,125, with Rega’s own outstanding Elys 2 MM cartridge ($1,395), and another with the also excellent Ortofon 2M Blue ($1,364). You can, of course, upgrade to a multitude of other cartridges out there, too. The turntable is as quiet as it gets, sounds gorgeous, and looks it too. Rega also does a good job at making the Planar 3 customizable with upgradeable parts, such as belts, platters, and more. The Rega Planar 3 is available in three glossy finishes: black, white, and red.
Rega Planar 3
Best audiophile turntable
Audio-Technica
Best turntable for DJs
Audio-Technica AT-LP140XP
Pros
- Rock-solid build
- Heavy and stable
- Affordable
- Instant speed, pitch control
Specification: Motor Direct drive Built-in preamp No Wi-Fi No Cartridge AT-XP3 DJ cartridge, upgradable All the turntables on our list, so far, have been belt-drive turntables, which are best for most people because of their simple operation and the fact that they tend to be quieter because the motors that spin are usually off to the side and do not directly contact the platter.
Direct drive turntables, however, are a different beast, as their motors usually sit directly under the platter and often drive them, er, directly. While there is much debate over which is better, DJs favor direct drive decks because they can get up to speed almost instantly, can spin records in both directions without damaging the motor, and often have tempo control sliders for mixing.
One of, if not the best DJ turntables ever made, is arguably the Technics SL-1200, but they are hard to come by and even the new versions of them can get expensive. Enter Audio-Technica, whose SL-1200-inspired LP140XP direct-drive turntable is tailor-made for DJs, but at a way more manageable $500 price.
Similar to Audio-Technica’s massively popular AT-LP120, the LP140XP is a beast of a 22-pound turntable that is stable as hell with four sure-footed adjustable feet and a die-cast aluminum platter that is damped underneath with a dense, felt-like material for anti-resonance. Where the LP140XP differs from its LP120 cousin is that it does not come with a built-in phono preamp (most DJs will have some form of amplification anyway), and it trades out the standard workhorse AT-VM95E cartridge for the hotter, more DJ-friendly AT-XP3 cartridge instead. The headshell comes pre-mounted, so all you have to do is balance the tonearm with the included instructions and you’ll be spinning in no time. A-T’s solid anti-skate mechanism is here, too, to keep the stylus tracking in the groove properly.
Speaking of spinning, the DJ controls include a pitch-control slider, pitch lock, forward/reverse buttons, and the classic pop-up platter strobe light. It doesn’t have Bluetooth or USB connectivity (for that look to the LP120XBT-USB), but the AT-LP140XP will spin at 33, 45, and 78 RPM, and is an easy-to-use, straightforward DJ’s dream.
Audio-Technica AT-LP140XP
Best turntable for DJs
Derek Malcolm/Digital Trends
Best for Sonos integration
Victrola Stream Carbon
Pros
- Sound is excellent
- Quality Ortofon 2M Red cartridge
- Easy wireless setup
- Connects to any Sonos in your house
- Big, universal volume dial
- Clean, modern look
Cons
- Expensive
- Basic app
- Motor is a bit noisy
Specification: Motor Belt drive Built-in preamp Yes Wi-Fi Yes, Works with Sonos certified Cartridge Ortofon 2M Red, upgradable Sonos makes some of the finest network music streaming speakers and audio products out there. And whether you’ve already invested your hard-earned cash into one or two Sonos speakers or a whole-home Sonos setup, it makes sense that if you’re going to start getting in to vinyl that you might want to utilize those speakers, if you can, instead of shelling out for a whole new sound system.
There are several ways to integrate a turntable with a Sonos system, but Victrola is one of the first companies to come forth with a “Works with Sonos” certified turntable that can connect directly to any Sonos speaker or system without the use of another Sonos connectivity product like the Port, Amp, or one of Sonos’ line-in speakers like the Era lineup. And it’s dead simple for pretty much anyone.
The Victrola Stream Carbon (there’s also a slightly cheaper version, the Stream Onyx) is a modern-looking, solidly built turntable (it weighs a stable 13 pounds) with some high-end components, such as its Ortofon 2M Red cartridge, dense MDF plinth, cast aluminum platter, and anti-resonant carbon fiber tonearm. It has a built-in analog-to-digital converter that translates the analog signal from your records into a 24-bit/48kHz digital signal that sounds sweet when streamed out over your Sonos system.
Setup is easy with the bare-bones, but functional Victrola Stream app, and once the turntable is connected, all the rest is done via the easy-to-use Sonos app. Simply choose the speakers or groups of speakers you want your record to play on. The Stream Carbon can also be played through a traditional analog setup, like a receiver and set of passive speakers.
Victrola Stream Carbon
Best for Sonos integration
Frequently Asked Questions
How we test turntables and record players
Like many things we review at Digital Trends, we test turntables and record players from differing points of view — those with little experience with the tech and those familiar with it — so we can relay the details in a way that’s meaningful to both. From unboxing and setup to explaining all its features, we use each turntable we get just as you would, by using and evaluating everything it can do and how easy and fun/frustrating it is to do it. We do this all while playing a lot of records to examine the most important thing: how it sounds. We play a wide range of music to test out the lows, mids, highs, and everything in-between, while listening for clarity, distortion, soundstage, and any anomalies that might appear.
Check out our full rundown on how we test turntables.
What’s the difference between a belt-drive and direct-drive turntable?
A belt-driven turntable uses a thin rubber or silicone belt that is wrapped around the platter (either on the outside edge or underneath, for example) that is, in turn, wrapped around a spindle connected to a motor that is usually set off to the side of the platter. A direct-drive turntable’s motor usually sits directly beneath the platter and the two are, er, directly connected. There are advantages and disadvantages to both.
Belt-drive turntables tend to be preferred by audiophiles because, due to the offset and isolated nature of the motor and the use of the rubber belt, vibrations and resonance are kept to a minimum, therefore they are much quieter. Direct-drive turntables, on the other hand, are preferred by DJs because the platter’s direct connection to the motor means they can get up to speed much quicker. Because there’s no belt getting in the way, direct-drive decks can also be played backwards, stopped more easily, and are generally more forgiving of all the cueing and syncing uses of DJs. The trade-off is that the vibrations from the motor can be directly transferred to the cartridge and hence through the audio system.
Are Bluetooth turntables any good?
Yes, they can be. Without getting too into the weeds about hi-res audio and Bluetooth codecs, a turntable streaming music over Bluetooth to a Bluetooth speaker or set of headphones must do two things. First, it must convert the analog sound form the record’s grooves into a digital signal and then it must compress that signal to a reasonable amount of information that can be sent wirelessly over Bluetooth.
Often, this can strip music of some of its detail and resolution, and some vinyl purists think that this defeats the whole purpose of vinyl records, which typically have excellent audio fidelity. Will most people notice? No. Will most people care? Also no. As long as it sounds good to you, that’s all that matters.
There are, however, Bluetooth codecs, such as Qualcomm’s aptX HD, that are allowing for much better sound quality over Bluetooth, making it a better experience and more convenient option. This also has its caveats, though. For this to work, both the turntable and the receiving Bluetooth speaker must support the aptX HD codec.
Alternatively, a Wi-Fi or LAN network-based system, such as Sonos with a compatible turntable (see the Stream Carbon turntable above), can convert vinyl records at a much higher sound quality than Bluetooth and can stream much higher amounts of digital data for high-resolution sound.
What is a phono preamp and do I need one?
A phono preamp (also known as a phono stage) can be either an internal component in a turntable or an external unit that a turntable is connected to. Either way, it’s job is to take the generally weak signal that comes from a turntable’s stylus (needle) and cartridge and prepare it to be amplified by either a receiver, integrated amplifier, powered speaker, or other amplification device.
Many modern turntables come with phono preamps built-in, generally giving users everything they need to get their records amplified and booming out a pair of speakers. However, some built-in phono preamps (especially those in budget turntables) aren’t very good, and many higher-end turntables still do not even have preamps built-in. For these reasons, you may need to purchase an external phono preamp. And that’s not necessarily a bad thing, as adding an external phono stage is a great way to improve the stability and sound quality of your turntable’s signal, so you might want to consider it.
And if you happen to have a receiver or amplifier that has a phono input, that will act as your preamp, so you don’t need one if you like how it sounds. You can always opt to use a phono stage anyway and connect through the amp’s AUX input, like many people do.